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Genealogies of the Experimental | The Found, The Retrieved: Surrealism and the Database AestheticThe Found, The Retrieved: Surrealism and the Database Aesthetic
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Genealogies of the Experimental | The Found, The Retrieved: Surrealism and the Database Aesthetic | thefoundtheretrieved.wordpress.com Reviews
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The Found, The Retrieved: Surrealism and the Database Aesthetic
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Kelly Link Links | Genealogies of the Experimental
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Genealogies of the Experimental. The Found, The Retrieved: Surrealism and the Database Aesthetic. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email.
September | 2012 | Genealogies of the Experimental
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Genealogies of the Experimental. The Found, The Retrieved: Surrealism and the Database Aesthetic. Monthly Archives: September 2012. John Whitney’s ‘Catalog’ 1961. September 13, 2012. Dada and the Database Aesthetic. Database and Algorithms: Film’s New Media Language. Dziga Vertov and Kino-Eye. John Whitney’s ‘Catalog’ 1961. Inspired by the work of SAUL BASS. ART GOODMAN, and DAVE NAGATA. Hitchcock typeface by MATT TERICH. Create a free website or blog at WordPress.com.
Bill Seaman | Genealogies of the Experimental
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Genealogies of the Experimental. The Found, The Retrieved: Surrealism and the Database Aesthetic. Recombinant Poetics and Related Database Aesthetics. Taken from Bill Seaman’s. Recombinant Poetics and Related Database Aesthetics]. Dada manifeste sur l’amour faible et l’amour amer. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. Dziga Vertov and Kino-Eye.
Database and Algorithms: Film’s New Media Language | Genealogies of the Experimental
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Genealogies of the Experimental. The Found, The Retrieved: Surrealism and the Database Aesthetic. Database and Algorithms: Film’s New Media Language. Database as Symbolic Form. Lev Manovich mentions Vertov as dealing in the realm of ‘database cinema’. Where a database is a collection of individual items one can view, navigate, search. Where every item has the same significance as any other. An anti-narrative. A collection. NOT a story. After watching a clip from Vertov’s. Man with a Movie Camera. How can...
malinachavez | Genealogies of the Experimental
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Genealogies of the Experimental. The Found, The Retrieved: Surrealism and the Database Aesthetic. John Whitney’s ‘Catalog’ 1961. September 13, 2012. Dada and the Database Aesthetic. Database and Algorithms: Film’s New Media Language. Dziga Vertov and Kino-Eye. John Whitney’s ‘Catalog’ 1961. Inspired by the work of SAUL BASS. ART GOODMAN, and DAVE NAGATA. Hitchcock typeface by MATT TERICH. Blog at WordPress.com.
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Websites | Malina Chavez
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2016 Malina Chavez By SpadeInvaders. The Ancient Chaldean Astrologer’s Magickal Square of the Sun. Danger Is Your Companion. What The Blonde Taught The Native. Things Are Not What They Appear. The Transgression of the Limits of Knowledge in “It Happened One Night”. The Times are Changing: The Use of Experimentation and Excess to Speak on Social Identity in Tarnation and Man with a Movie Camera. The Symbolism of Allegory to Subjugate the Historical Narrative in “El Labertino del Fauno”. A Sense of Loss.
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Fake Wisdom For Free…. 8216;Golden’ by Nao. August 12, 2015. August 12, 2015. Jai Paul’s brother A.K Paul is behind this track that has his brother’s touch. I think production like this must be a family secret, handed down beside Mr’s Paul’s cake recipe’s. That or A.K has been collaborating with his bro on the sly…. I’m inclined to think it’s the latter. Hard and bouncy -(that’s what she said)- bass, lush vocal hooks and Ratatat esque guitar lines await……. 8216;Transition’ by LV. August 12, 2015. There i...
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Genealogies of the Experimental | The Found, The Retrieved: Surrealism and the Database Aesthetic
Genealogies of the Experimental. The Found, The Retrieved: Surrealism and the Database Aesthetic. John Whitney’s ‘Catalog’ 1961. September 13, 2012. Dada and the Database Aesthetic. Database and Algorithms: Film’s New Media Language. Dziga Vertov and Kino-Eye. John Whitney’s ‘Catalog’ 1961. Inspired by the work of SAUL BASS. ART GOODMAN, and DAVE NAGATA. Hitchcock typeface by MATT TERICH. Blog at WordPress.com.
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