nationalsawdust.org
National Sawdust | Programming
https://nationalsawdust.org/programming
National Sawdust (NS), an unparalleled, artist-led, non-profit venue, is a place for exploration and discovery. A place where emerging and established artists can share their music with serious music fans and casual listeners alike. Prestini, Creative and Executive Director. The new Labs initiative consists of incubation periods during which curators and guests focus on in-depth multimedia development work that may enter into the NS-VIA repertory. The vitality of today’s artistic community depends upon a...
nationalsawdust.org
National Sawdust | Building
https://nationalsawdust.org/building
Interior of National Sawdust, New York. Designed by Bureau V. Photography by Floto Warner. Interior of National Sawdust, New York. Designed by Bureau V. Photography by Floto Warner. Interior of National Sawdust, New York. Designed by Bureau V. Photography by Floto Warner. Interior of National Sawdust, New York. Designed by Bureau V. Photography by Floto Warner. Interior of National Sawdust, New York. Designed by Bureau V. Photography by Floto Warner. The Original Sawdust Factory. 80 NORTH 6TH ST. Give us...
nationalsawdust.org
National Sawdust | Stage
https://nationalsawdust.org/stage
IN SITU-OMW: CLAUDIO PRIMA. IN SITU-OMW: ROGER BONAIR-AGARD ANDY AKIHO JEFFREY ZEIGLER. IN SITU-OMW: NETSAYI and BLACK PRESSURE. IN SITU-OMW: MAGOS HERRERA. IN SITU-OMW: CORNELIUS DUFALLO. IN SITU-OMW: THEO BLECKMANN. IN SITU-OMW'S FIRST COMMISSION. National Sawdust (NS), an unparalleled, artist-led, non-profit venue, is a place for exploration and discovery. A place where emerging and established artists can share their music with serious music fans and casual listeners alike. 80 NORTH 6TH ST.
nationalsawdust.org
National Sawdust | Event Inquiries
https://nationalsawdust.org/events
In addition to a space for exploration and discovery for artists to create and share their music with audiences, National Sawdust is also available as a flexible space for private rentals for social, corporate, and non-profit events, as well as filmings, photo shoots, and recording sessions. Black-tiled, facetted space with 25ft ceilings. Restrooms and coat check. 2,200sq ft chamber hall with 25ft ceiling. Wrap-around balcony on three sides with built-in counter seating. 8211; Full size: 27ft x 11.5ft.
nationalsawdust.org
National Sawdust | Press
https://nationalsawdust.org/press
October 25, 2016. Yevgeny Kutik and Timo Andres in a captivating recital at National Sawdust. October 24, 2016. A John Zorn Weekend 10-Hour Marathon Concert Included. October 24, 2016. When Anaïs Met Circe, and Other Operatic Adventures. October 13, 2016. 8216;The House Taken Over’ and ‘Hansel and Gretel’ Offer Different Takes On Siblings. October 5, 2016. Singer Finds Universal By Learning World’s Lullabies. August 31, 2016. Lukas Ligeti Gets Modern at National Sawdust. I Care If You Listen. June 1, 2016.
nationalsawdust.org
National Sawdust | People
https://nationalsawdust.org/people
JEAN PIERRE CHESSE,. ELLEN O’BRIEN KELLY. Chair of the Program Committee. Composer / Creative & Executive Director. Senior Director of Artistic Planning. Senior Director of Finance & Facilities. Senior Director of Development. Senior Director of Marketing. Senior Director of Partnerships. Director of Ticketing Customer Experience. Director & Curator, National Sawdust. Architect / Visual/Music Curator. Producer of Special Projects, VisionIntoArt. Production Coordinator & Audio Engineer. Rick is currently ...
nightafternight.com
…after…
http://www.nightafternight.com/night_after_night
Conspicuous consumption of music, live and otherwise. March 14, 2017. The Art Ensemble of Chicago at 50. Lately, though, signs of resurgence have appeared. The promotional copy. Message to Our Folks. A brief scrap of video. On YouTube indicates that the vaunted AECO energy endures, and already Oto has booked the Art Ensemble for a return engagement. In October. Would it be too much to hope for a New York City booking? Posted at 11:36 AM in Jazz. Save to del.icio.us. October 10, 2016. The New York Times,.
ethaniverson.com
Universal Remonster 4 (or: To Click or Not to Click) | DO THE M@TH
https://ethaniverson.com/2016/12/17/universal-remonster-4-or-to-click-or-not-to-click
Universal Remonster 4 (or: To Click or Not to Click). The year is coming to a bitter end. 2016 was bad, 2017 is going to be much worse. Impossible to imagine how it will all go down. There’s a harrowing Thomas Adès work from 1999,. America: A Prophecy,. That I’ve never audited properly, partly because I was unwilling to accept such a dark vision of my country. Well, I guess now’s the time to order the study score…. In response to the above, Alex Ross shared a blurb from his year-end recap in the. So One ...
SOCIAL ENGAGEMENT