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The South African Pavilion | Venice Biennale 2015 | thesouthafricanpavilion.co.za Reviews
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thesouthafricanpavilion.co.za
Gerald Machona | The South African Pavilion 2017
http://thesouthafricanpavilion.co.za/gerald-machona
People From Far Away. I am an Afronaut), 2012. Decommissioned Zimbabwean dollar, foam padding, fabric, wood, Perspex, rubber, plastic tubing, nylon thread, gold leaf. C 190 x 60 x 50 cm. Single-channel film, duration 12 min 57 sec. People from far away’ is derived from the Shona word vabvakure. At the Standard Bank Gallery, Johannesburg (2013); The Night Show. Goodman Gallery, Cape Town (2011); The Geography of Somewhere. Stevenson, Johannesburg (2011); and US II. The South African Pavilion. 13th May - 2...
Mark Lewis | The South African Pavilion 2017
http://thesouthafricanpavilion.co.za/mark-lewis
Wake Up, This is Joburg. Video from still photographs. In the bowels of an obsolete inner-city parking garage, men stand around huge chopping blocks wielding axes with which they strip every shred of flesh from hundreds of cow heads. The loosened meat is transported to the taxi ranks and informal markets of the city where it is cooked on open braziers and sold to the passing trade as s’kop. Magazines, amongst others. More recently he has worked in documentary, with a specific focus on the African con...
Brett Murray | The South African Pavilion 2017
http://thesouthafricanpavilion.co.za/brett-murray
Dual-channel digital video installation. 6 min 48 sec. Sound studio: Milestone Studios. Leni Riefenstahl’s fascist propaganda film Triumph of the Will. The mirrored videos of Murray’s work Triumph. Are a reminder of what we have come through, but also serve as a warning of the demagoguery that South Africans may face in the future (and as an ironic manifestation of some of what underpins the current wave of xenophobia sweeping across thecountry). In 1992. In 1995 he curated Scurvy. Murray was included on...
Diane Victor | The South African Pavilion 2017
http://thesouthafricanpavilion.co.za/diane-victor
Ash made from facsimile of miner’s handbook. 150 x 200 cm. Museum for African Art, New York (2004); the Busan International Print Show (2007); the Krakow Print Triennial (2009); Peekaboo: Current South Africa. Tennis Palace Art Museum, Helsinki (2010); Collateral: Printmaking as Social Commentary. Gus Fisher Gallery, University of Auckland (2011); Impressions from South Africa: 1965 to Now. Museum of Modern Art, New York; Earth Matters. Artesis Plantijn University College, Antwerp (2014).
Warrick Sony | The South African Pavilion 2017
http://thesouthafricanpavilion.co.za/warrick-sony
Marikana Viewpoints: Against Civilians. Found video with sound design, duration 5 min 26 sec. Marikana Viewpoints: Most of You Will be Listening. Found video with sound design, duration 4 min 17 sec. These videos were made from secretly obtained video footage of the incident know as the Marikana Massacre ‘the single most lethal use of force by South African security forces against civilians since1960.’. Presents an aerial viewpoint during the massacre. Most of You Will be Listening. And Faustus in Africa.
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56th Venice Biennale | An Uneven African Presence | Another Africa
http://www.anotherafrica.net/art-culture/56th-venice-biennale-an-uneven-african-presence
Press & Interviews. Art & Culture. 56th Venice Biennale An Uneven African Presence. Written by Clelia Coussonnet. On May 18, 2015 in Art and Culture. Middot; 3 Comments. Beyond Okwui Enwezor’s ‘. All the World’s Futures. Exhibition, the visibility of African artists in both National Pavilions and collateral events is limited and only offers a glimpse of the continent’s rich visual practices. Presence of the Past, 2015. All images courtesy of Another Africa / Clelia Coussonnet. Was shown. As of the pr...
WATERSCHOENEN: juli 2015
http://waterschoenen.blogspot.com/2015_07_01_archive.html
KUNSTBLOG DOOR Gustaaf VANDER BIEST, voorheen ART SPOTTER. Zoeken in deze blog. Woensdag 29 juli 2015. VENETIË . Biënnale . CODICE ITALIA in het Arsenale. We zijn nu bijna helemaal achteraan op het terrein van het ARSENALE aangekomen. De toegang tot het ITALIAANS PAVILJOEN. Geeft al meteen een idee van de sobere, maar schitterend geregisseerde en uitgebreide tentoonstelling die ons hier in twee naast elkaar gelegen hallen wacht. Image is that wherein what has been. Comes together in a flash with the now.
The South African Pavilion at the 56th Venice Biennale
http://www.artsouthafrica.com/220-news-articles-2013/2439-the-south-african-pavilion-at-the-56th-venice-biennale.html
The South African Pavilion at the 56th Venice Biennale. With the 56th Venice Biennale well under way, have a look at some of the highlights from the South African Pavilion. Titled 'What remains is tomorrow,' The South African Pavilion at this year’s la Biennale di Venezia is curated by Christopher Till and Jeremy Rose. CLOCKWISE FROM TOP LEFT. Mark Lewis, Brett Murray, Mohau Modisakeng, Robin Rhode, Jeremy Wafer and Nandipha Mntambo. Racist in South Africa. Rascist in South Africa. Art South Africa TV.
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Lee VanZyl - About
Spirit Rescue / House Blessing. 8203; MontClair Metaphysical and Healing Center. 16 Park Ave, Suite 302. Rutherford, NJ 07070. 8203;Hours: Tuesday - Sunday by appointment only. All appointments need to be scheduled online only. Located in Bergen County, North NJ and a 20 minute bus ride from. From Port Authority in NYC take NJ Transit Bus 190. And get off at the Rutherford Train Station. We are next door to the Bank of America). Medium Sittings and Psychic Readings. Lee now teaches and works internation...
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The South African Musicians Blog
The South African Musicians Blog. Friday, 23 September 2011. Absinthe is what happens when celebrated and gifted musicians join forces. This 3 piece band focuses on creating a unique and awe-inspiring sound to legendary covers, these covers range from Coldplay to Joy Division. Absinthe is made up of: Cito (Wonderboom), Paul E Flynn (Sugardrive) and Paulo Rego (Martin Rocka and the Sick Shop and DJ). Absinthe has a distinctly mature sound:. Acoustic with light drums. Absinthe gains new fans at every gig.
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The South African Pavilion | Venice Biennale 2015
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