geartsjevanderzee.com
CV - GEARTSJE VAN DER ZEE
http://www.geartsjevanderzee.com/cv.html
GEARTSJE VAN DER ZEE. Meet me in Lomark. Paradijs no. 1. Hier komt de nacht. Kantoorpoezie met Dimitri Verhulst. Wandelen in het bos en praten over gevoelens. Decor- en kostuumontwerp 'Mein Jahr in Tralalabad' (dec 2016-maart 2017). Herneming 'Ik en honderdduizend' in het kader van Haring en hummus. Februari 2015 - maart 2016). Decorontwerp ' Oude mensen weten niks van oorlog. Licht- en kostuumontwerp '. In het kader van Theater na de dam. Licht- en kostuumontwerp 'ISDITHETNOU'. Scene 4 decor- en lichton...
emile2009.wordpress.com
Takashi Murakami (II) | Writing in the Sand
https://emile2009.wordpress.com/2009/08/29/takashi-murakami-ii
Writing in the Sand. David Surman has written a fascinating article on Murakami:. Http:/ blogs.arts.unimelb.edu.au/refractory/2008/05/23/notes-on-superflat-and-its-expression-in-videogames-david-surman/. He places Murakami’s art in the context of the Japanese geek (. Subcultures relating to videogames, comics (. His analysis explains how Murakami’s work is balanced on the cusp between fine art and popular culture. However, Surman sees the. One example of an. Is the tea ceremony. The aesthetic of the ...
emile2009.wordpress.com
Takashi Murakami (III) | Writing in the Sand
https://emile2009.wordpress.com/2009/10/30/takashi-murakami-iii
Writing in the Sand. I have just seen some recent work by Murakami at the Pop Life exhibition at Tate Modern. I loved the video work he has produced in collaboration with McG and Kirsten Dunst, called. It features Dunst as a blue-haired fairy prancing through Akihabara waving her. We see an American actress impersonating a Japanese girl dressed as an. Filed in Takashi Murakami. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:.
emile2009.wordpress.com
The wabi of Yasujiru Ozu | Writing in the Sand
https://emile2009.wordpress.com/2009/05/24/the-wabi-of-yasujiru-ozu
Writing in the Sand. The wabi of Yasujiru Ozu. Or the power of visual poverty, is alive and well in Japan today, even outside the realm of the tea ceremony. The films of the mid-twentieth-century Japanese filmmaker Yasujiru Ozu are a case in point. His use of ellipsis,. His deliberately not showing an important event in the narrative, is a classic. Technique: making something more poignant by only referring to it obliquely. As a style of acting. 8211; poverty, lack, imperfection and concealment. You are ...
emile2009.wordpress.com
The wabi of Dennis Severs | Writing in the Sand
https://emile2009.wordpress.com/2009/07/01/the-wabi-of-dennis-severs
Writing in the Sand. The wabi of Dennis Severs. The house, seen as a work of art, as a. This is another example of a European version of the Japanese concept of. 8211; the aesthetic of lack. Like a. 183;Tags: Dennis Severs. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. Follow “Writing in t...
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The wabi of John Fowler | Writing in the Sand
https://emile2009.wordpress.com/2009/05/26/the-wabi-of-john-fowler
Writing in the Sand. The wabi of John Fowler. In the 1980s the so-called ‘English Country House Style’ was seen as the most authentic, timeless interior design look. It was thought to be the ‘true’ English style, epitomising qualities such as love of the countryside, adherence to traditions and non-intellectual pragmatism. The objects Fowler chose often had a physical patina caused by age and use, while the rooms he composed with those objects had the ineffable patina of a certain conscious imperfection&...
emile2009.wordpress.com
Takashi Murakami (I) | Writing in the Sand
https://emile2009.wordpress.com/2009/08/22/takashi-murakami
Writing in the Sand. Nerd-connoisseur sensibility and the spirit of European Enlightenment taxonomy. Filed in Takashi Murakami. 183;Tags: Marcel Duchamp. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. Notify me of new comments via email.
emile2009.wordpress.com
Takashi Murakami (IV) | Writing in the Sand
https://emile2009.wordpress.com/2009/10/30/takashi-murakami-iv
Writing in the Sand. Everyone thinks Takashi Murakami is a contemporary, ‘modern’ artist. In fact he is a very traditional Japanese artist – in the best possible way. He runs a workshop with assistants who help him to produce his work. He in turn supports and promotes them, like a traditional Japanese. Conversely, he is happy to copy from other artists both past and present. Indeed, he positively flaunts his allegiances to Jeff Koons and Andy Warhol as well as to Maeda Seison and Ito Jakuchu. You are com...
emile2009.wordpress.com
The wabi of Beau Brummell | Writing in the Sand
https://emile2009.wordpress.com/2009/07/12/the-wabi-of-beau-brummell
Writing in the Sand. The wabi of Beau Brummell. The original dandy, George ‘Beau’ Brummell, was one of those celebrities who occasionally become canonised as living works of art. Brummell was already well on his way to art status during his lifetime, and the various biographical, sartorial and philosophical essays published after his death completed the process. It is these contradictions that have ensured his lasting fame, rather than his well-cut jackets. Dress was his medium, like the tea bowl was...
