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Is a peer-reviewed e-journal in the field of performance and creative research, based in the Department of Drama, Theatre and Performance at University of Roehampton, London. Volume 3, issue 1: solidarity and / in performance: rethinking definitions & exploring potentialities. Jun, 01 · in Volume 3, Issue 1. Being with Time, reviewing TIME (Documents of Contemporary Art). Jun, 01 · in Volume 3, Issue 1. Solidarity Means Attack: Choreographic Analysis and the West Coast Port Blockade. Wendy Hubbard Abstra...

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Is a peer-reviewed e-journal in the field of performance and creative research, based in the Department of Drama, Theatre and Performance at University of Roehampton, London. Volume 3, issue 1: solidarity and / in performance: rethinking definitions & exploring potentialities. Jun, 01 · in Volume 3, Issue 1. Being with Time, reviewing TIME (Documents of Contemporary Art). Jun, 01 · in Volume 3, Issue 1. Solidarity Means Attack: Choreographic Analysis and the West Coast Port Blockade. Wendy Hubbard Abstra...

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activate | thisisactivate.net Reviews

https://thisisactivate.net

Is a peer-reviewed e-journal in the field of performance and creative research, based in the Department of Drama, Theatre and Performance at University of Roehampton, London. Volume 3, issue 1: solidarity and / in performance: rethinking definitions & exploring potentialities. Jun, 01 · in Volume 3, Issue 1. Being with Time, reviewing TIME (Documents of Contemporary Art). Jun, 01 · in Volume 3, Issue 1. Solidarity Means Attack: Choreographic Analysis and the West Coast Port Blockade. Wendy Hubbard Abstra...

INTERNAL PAGES

thisisactivate.net

1

—cfp – figure of the sensible: between the lines of practice and theory (spring 2012) | activate

http://www.thisisactivate.net/thisisac_roeham/cfp-figure-of-the-sensible-between-the-lines-of-practice-and-theory

Cfp – figure of the sensible: between the lines of practice and theory (spring 2012). Department of Drama, Theatre and Performance Studies. University of Roehampton, London. Figure of the sensible: between the lines of practice and theory’. For the second Volume of. A postgraduate eJournal of Drama, Theatre and Performance. Vol 2, No 1, Spring 2012. Deadline for submissions: 1 March, 2012, 1pm (GMT). The forthcoming issue of. Invites documentation of discursive and bodily practices. 1 NEW CRITICAL WORK:.

2

—volume 3, issue 1: solidarity and / in performance: rethinking definitions & exploring potentialities | activate

http://www.thisisactivate.net/thisisac_roeham/volume-3-issue-1-solidarity-and-in-performance-rethinking-definitions-exploring-potentialities

Volume 3, issue 1: solidarity and / in performance: rethinking definitions & exploring potentialities. Guest Editor: Katerina Paramana. Solidarity and/in Performance: Rethinking Definitions and Exploring Potentialities. Addresses understandings of solidarity and performance, and the relationship between the two. The current socioeconomic crisis has elicited c. Vol 3, Issue 1. Solidarity and/in Performance: Rethinking Definitions and Exploring Potentialities. I’ll be with you again. And Ana Bigotte Vieira.

3

activate

http://www.thisisactivate.net/thisisac_roeham

Is a peer-reviewed e-journal in the field of performance and creative research, based in the Department of Drama, Theatre and Performance at University of Roehampton, London. Volume 3, issue 1: solidarity and / in performance: rethinking definitions & exploring potentialities. Jun, 01 · in Volume 3, Issue 1. Being with Time, reviewing TIME (Documents of Contemporary Art). Jun, 01 · in Volume 3, Issue 1. Solidarity Means Attack: Choreographic Analysis and the West Coast Port Blockade. Wendy Hubbard Abstra...

4

—volume 1, issue 2: paradigms of performance | activate

http://www.thisisactivate.net/thisisac_roeham/e-journal/paradigms2011

Volume 1, issue 2: paradigms of performance. Is a peer-reviewed electronic journal in the field of performance and creative research. Based in the Department of Drama, Theatre and Performance at University of Roehampton, London, it is run by postgraduates as a forum for postgraduate and postdoctoral scholars to publish their work. Each edition focuses on a specific theme and aims to include a range of new critical and performative practices in relation to it. Volume 1, Issue 2: Editorial Team:. Is a peer...

5

—volume 2, issue 2: exposure: the opaque star in performance | activate

http://www.thisisactivate.net/thisisac_roeham/e-journal/volume-2-issue-2-exposure-the-opaque-star-in-performance

Volume 2, issue 2: exposure: the opaque star in performance. Of private moments, false promises, assiduity and the terrifying tease. Exposure and spectatorship are variables of an equation that is uneven, however both experiences persistently hold the potential for the revelatory at times intimate or intimidating. This issue of. Aims to illumine contemporary performance practices assembled under the title. Exposure: the opaque star in performance. La Ribot: Revealing and Concealing Exposures…. And though...

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katerinaparamana.com

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Performance Artist / Choreographer / Writer. Publications & Conferences. Drama, Theatre and Performance, University of Roehampton, London. Dance, University of Roehampton, London. Laban, Trinity Laban Conservatoire of Music and Dance. Live Art Development Agency.

katerinaparamana.com

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Performance Artist / Choreographer / Writer. Publications & Conferences. Submitted). ‘The Contemporary Dance Economy: Problems and Potentials’, Special issue ‘Dancing Economies: Currency, Value and Labour’,. Repetition and the Construction of Spaces of Decision, Affect and Creative Possibility’,. A Journal of the Performing Arts. 2015 – 2018. Sadler’s Wells Summer University. Directed by Jonathan Burrows in collaboration with Eva Martinez. Sadler’s Wells, London. Online, to concide with 25(2). Choreograp...

katerinaparamana.com

Biography

http://katerinaparamana.com/biography

Performance Artist / Choreographer / Writer. Publications & Conferences. Katerina completed a PhD at University of Roehampton, London ( Drama, Theatre and Performance. Katerina also holds an MA in Choreography from Laban. London (Trinity Laban Conservatoire of Music and Dance, 2009), a BA in Dance and a BA in Theatre from University of Maryland,. US (University of Maryland, College Park, 2006). She was Guest Editor of. 2013-2014) and an Associate Researcher with.

katerinaparamana.com

Publications & Conferences

http://katerinaparamana.com/conferences-publications

Performance Artist / Choreographer / Writer. Publications & Conferences. Publications & Conferences. 2016 (Submitted). ‘The Contemporary Dance Economy: Problems and Potentials’, Special issue ‘Dancing Economies: Currency, Value and Labour’,. Repetition and the Construction of Spaces of Decision, Affect and Creative Possibility’,. A Journal of the Performing Arts. 2015 Text contribution to the ‘Acts of Voting: a Lexicon’, curated by Philip Hager and Marilena Zaroulia,. A Journal of the Performing Arts.

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Is a peer-reviewed e-journal in the field of performance and creative research, based in the Department of Drama, Theatre and Performance at University of Roehampton, London. Volume 3, issue 1: solidarity and / in performance: rethinking definitions & exploring potentialities. Jun, 01 · in Volume 3, Issue 1. Being with Time, reviewing TIME (Documents of Contemporary Art). Jun, 01 · in Volume 3, Issue 1. Solidarity Means Attack: Choreographic Analysis and the West Coast Port Blockade. Wendy Hubbard Abstra...

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