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Time & Materials

Timbral robes, unheard before. June 23, 2011. This is a sumptuous twenty minutes for your earholes. John Adams masterfully blending electronics and a brass choir, from. Again, it makes me think of These New Puritans’. Both the album itself (hands down, best of 2010, or anything this year yet, I reckon), and the astonishing live performance I was lucky enough to catch at the Barbican a while back:. Lovely stuff. More of this sort of thing. June 16, 2011. I popped into the Yerba Buena Centre for the Arts.

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Time & Materials | timeandmaterials.co.uk Reviews

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Timbral robes, unheard before. June 23, 2011. This is a sumptuous twenty minutes for your earholes. John Adams masterfully blending electronics and a brass choir, from. Again, it makes me think of These New Puritans’. Both the album itself (hands down, best of 2010, or anything this year yet, I reckon), and the astonishing live performance I was lucky enough to catch at the Barbican a while back:. Lovely stuff. More of this sort of thing. June 16, 2011. I popped into the Yerba Buena Centre for the Arts.

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Time & Materials | timeandmaterials.co.uk Reviews

https://timeandmaterials.co.uk

Timbral robes, unheard before. June 23, 2011. This is a sumptuous twenty minutes for your earholes. John Adams masterfully blending electronics and a brass choir, from. Again, it makes me think of These New Puritans’. Both the album itself (hands down, best of 2010, or anything this year yet, I reckon), and the astonishing live performance I was lucky enough to catch at the Barbican a while back:. Lovely stuff. More of this sort of thing. June 16, 2011. I popped into the Yerba Buena Centre for the Arts.

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timeandmaterials.co.uk

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Distributed Creativity | Time & Materials

http://www.timeandmaterials.co.uk/index.php/2011/06/01/distributed-creativity

9000 PIECES ». June 1, 2011. This is a version of a paper I gave at the Forum for Innovation in Music Production and Composition. At Leeds College of Music in May 2011 with PhD student Adam Martin. It’s a whistle-stop tour, but hopefully not too fragmented. Although I don’t directly draw them out, there are some resonances with recent posts: the relationship between architecture and music. The impact of the internet. Some Kind of Introduction…. Using an iPad whilst on tour;. Quality input…’. Have…)...

2

Audium | Time & Materials

http://www.timeandmaterials.co.uk/index.php/2011/05/08/audium

On recording “Classical Music”. Distributed Creativity ». May 8, 2011. I moved to San Francisco last week! New job. Fun times. The other night, I tagged along with some new friends for a visit to Audium. According to their blurb,. Run since the 60s by composer Stan Sheff, it’s a pristinely-preserved little slice of history, from when I guess the ideas of Stockhausen, Xenakis and that lot were all the rage. It’s brilliant. If you’re ever in SF, go go go. But, to be honest, the sonic bit wasn’t exact...

3

Time & Materials

http://www.timeandmaterials.co.uk/index.php/page/2

Newer articles ». March 13, 2011. An update of ‘Can’t Get Away’ including the foxy Casio SK-5. Sketches, and a slightly more sung chorus:. Can’t Get Away – 13.3.11 (combined sketches). Note the hand-made rhythms! The link about an additive mode of creation. Particularly the line about making things atom-by-atom, definitely resonates with the way I approach making in this type of music. Initially. Then it’s a process of subtraction (or the more ‘traditional’ mode of manufacture). March 6, 2011. Synth usin...

4

Timbral robes, unheard before | Time & Materials

http://www.timeandmaterials.co.uk/index.php/2011/06/23/timbral-robes-unheard-before

Timbral robes, unheard before. June 23, 2011. This is a sumptuous twenty minutes for your earholes. John Adams masterfully blending electronics and a brass choir, from. Again, it makes me think of These New Puritans’. Both the album itself (hands down, best of 2010, or anything this year yet, I reckon), and the astonishing live performance I was lucky enough to catch at the Barbican a while back:. Lovely stuff. More of this sort of thing. Larr; Previous post. Click here to cancel reply.

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On recording “Classical Music” | Time & Materials

http://www.timeandmaterials.co.uk/index.php/2011/04/10/on-recording-classical-music

On recording “Classical Music”. April 10, 2011. Currently listening to the latest Reich Double Sextet/2×5 ( Spotify link. After reading what Nico Muhly had to say about it. 8220;Most of Reich’s work is for amplified acoustic instruments, but surely going into the world of guitars, bass, drumset, etc., warrants the speakers to be blown out with an insistent, primal drive? He’s right. It sounds like a crap Battles demo done on a MIDI keyboard. Does anything like that exist? Larr; Previous post. Powered by ...

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Raquo; tag » sony. Automatic switching between viewfinder/LCD screen on Sony RX100m3 not working? I recently had a problem with my Sony RX100 mk3. It wouldn’t automatically swap between displaying in the viewfinder and on the LCD. Anyhow, then I found this video. Which explains the problem, and takes a full two minutes to get to the point. So I’m re-iterating that point, in writing, for everybody using a search engine! Where that sensor is. PSN: The Security Scandal – Page 1 DigitalFoundry Eurogame...

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Timbral robes, unheard before. June 23, 2011. This is a sumptuous twenty minutes for your earholes. John Adams masterfully blending electronics and a brass choir, from. Again, it makes me think of These New Puritans’. Both the album itself (hands down, best of 2010, or anything this year yet, I reckon), and the astonishing live performance I was lucky enough to catch at the Barbican a while back:. Lovely stuff. More of this sort of thing. June 16, 2011. I popped into the Yerba Buena Centre for the Arts.

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