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Visual Storytelling

Cross-pollinating film, animation, games and comics. Herein is the complete, unedited version of Visual Storytelling: The Art and Technique, originally published by Watson-Guptill/Random House. This book cross-pollinates film, animation, interactive games and comics to inspire artists when transcending the written word into visual media. The unedited version was double the published size. This size is without the Harlan Ellison introduction and the special Jim Steranko section (not included here).

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Anthony C Caputo

Tony Caputo

2057 We●●●●●●● Street

Ch●●go , 60609

UNITED STATES

tc●@tonycaputo.com

View this contact

Anthony C Caputo

Tony Caputo

2057 We●●●●●●● Street

Ch●●go , 60609

UNITED STATES

tc●@tonycaputo.com

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Visual Storytelling | tonyccaputo.com Reviews

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Cross-pollinating film, animation, games and comics. Herein is the complete, unedited version of Visual Storytelling: The Art and Technique, originally published by Watson-Guptill/Random House. This book cross-pollinates film, animation, interactive games and comics to inspire artists when transcending the written word into visual media. The unedited version was double the published size. This size is without the Harlan Ellison introduction and the special Jim Steranko section (not included here).

<META> KEYWORDS

1 visual storytelling

2 chapters

3 why free

4 words and pictures

5 set to set

6 panel to panel

7 scene to scene

8 level to level

9 the drawing board

10 mood and lighting

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Visual Storytelling | tonyccaputo.com Reviews

https://tonyccaputo.com

Cross-pollinating film, animation, games and comics. Herein is the complete, unedited version of Visual Storytelling: The Art and Technique, originally published by Watson-Guptill/Random House. This book cross-pollinates film, animation, interactive games and comics to inspire artists when transcending the written word into visual media. The unedited version was double the published size. This size is without the Harlan Ellison introduction and the special Jim Steranko section (not included here).

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tonyccaputo.com

1

Visual Storytelling

http://www.tonyccaputo.com/chapter/mood-and-lighting/index.html

The light in the world comes principally from two sources, —the sun, and the student's lamp. Mdash; Christian Nestell Bovee. In the beginning of interactive [video] game development, -the programmers did all the art. …". Read More ». 8230;There always seems to be that time in the schedule where everybody hates everybody.…". Read More ». The Denial of St. Peter, painted by Caravaggio in 1610 was one of his paintings that used dramatic mood lighting. In a theatrical adaptation based on the sleeper hit film,.

2

Visual Storytelling

http://www.tonyccaputo.com/chapter/scene-to-scene/index.html

They think it's all about visuals and all about just pushing the limits of what you maybe can do with special effects. I think that it's really about the storytelling and the special effects should serve the storytelling. Mdash; Chris Carter, Creator of X-Files. X-Pose Special Magazine, 1998. These days, with video camera technology, you can teach yourself how to tell stories…". Read More ». For an average 30 second TV commercial, I receive anywhere from six to ten thousand feet of film…". There were two...

3

Visual Storytelling

http://www.tonyccaputo.com/chapter/the-drawing-board/index.html

In learning the art of storytelling by animation, I have discovered that language has an anatomy. Every spoken word, whether uttered by a living person or by a cartoon character, has its facial grimace, emphasizing the meaning. Mdash; Walt Disney. The tools used do not run the artist. It’s the artist that runs the tools.". Read More ». When you witness a master visual storyteller at work, you can forget that you’re looking at a two dimensional line drawing…". Read More ». 3) Idiom, or as he describes it;...

4

Visual Storytelling

http://www.tonyccaputo.com/chapter/timing-and-pace/index.html

The only reason for time is so that everything doesn't happen at once. Mdash; Albert Einstein. The panels in a comic book are used as a passage of time for the characters within the story…". Read More ». Sequential Art is deserving of serious consideration by both critic and practitioner…". Read More ». In comics, there are many ways to speed up or slowdown the reader. Here the number of frames larger in size withg little dialogue, all contribute the pace and experience of the scene. Similarly, the desig...

5

Visual Storytelling

http://www.tonyccaputo.com/chapter/set-to-set/index.html

The natural condition is one of insurmountable obstacles on the road to imminent disaster, but strangely enough, it all turns out well. How it does, is a mystery. Paraphrased from Shakespeare in Love). Sometimes, there was a limited animation budget, so my challenge was how to tell this elaborate story in a few…". Read More ». In 1915, model Audrey Munsen was chosen to pose as the figure to appear on the memorial coin for the …". Read More ». Beyond that, he discussed the unity of action, the probability...

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Renaissance man =n. A man who has broad intellectual interests and is accomplished in areas of both the arts and the sciences. In his youth. Caputo co-owned an entertainment company in the 80s, where he met Terry (Monty Python) Gilliam, Harlan Ellison, Michael (Ghostbusters) Gross, Mark Hamill, Francis Ford Coppola, and Mr. T, just to name a few. From the second edition of Digital Video Surveillance and Security:. How could they know what we lost that day? What could I do? In 2005, I was given the opport...

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tonyccaputo.com

Visual Storytelling

Cross-pollinating film, animation, games and comics. Herein is the complete, unedited version of Visual Storytelling: The Art and Technique, originally published by Watson-Guptill/Random House. This book cross-pollinates film, animation, interactive games and comics to inspire artists when transcending the written word into visual media. The unedited version was double the published size. This size is without the Harlan Ellison introduction and the special Jim Steranko section (not included here).

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