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Excessive research – Liverpool, UK, November 3-5, 2015Liverpool, UK, November 3-5, 2015
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Liverpool, UK, November 3-5, 2015
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Excessive research – Liverpool, UK, November 3-5, 2015 | transmedialeblog.wordpress.com Reviews
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Liverpool, UK, November 3-5, 2015
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Mitra Azar – Virtualization of the Gaze and POV as a Political Battlefield – Excessive research
https://transmedialeblog.wordpress.com/2015/10/10/mitra-azar-virtualization-of-the-gaze-and-pov-as-a-political-battlefield
Liverpool, UK, November 3-5, 2015. Mitra Azar – Virtualization of the Gaze and POV as a Political Battlefield. POV BETWEEN PORNOGRAPHY AND POLITICS. 8216; hands, thanks to the Selfie stick, an object (namely a stick) in between the mobile phone camera and the hands of the. Highlighting a gradual process of POV disembodiment, moving towards a CCTV-like image format. And audience, into FPV (First Person View), where POV is remoted wirelessly from the POS (Point of Shoot), and the. G Bateson, 1972), generat...
Tessa Zettel & Sumugan Sivanesan – Plan Bienen: Exchange and reciprocity in the more-than-human city – Excessive research
https://transmedialeblog.wordpress.com/2015/10/12/tessa-zettel-sumugan-sivanesan-plan-bienen-exchange-and-reciprocity-in-the-more-than-human-city
Liverpool, UK, November 3-5, 2015. Tessa Zettel and Sumugan Sivanesan – Plan Bienen: Exchange and reciprocity in the more-than-human city. This paper reflects on an ongoing artistic research project, Plan Bienen, outlining the terrain in which it operates and sharing some of its initial outcomes. The project is a collaboration between its authors, Sydney-based artists and writers, which developed from a 3-month residency undertaken in 2014 at the ZK/U the Centre for Art and Urbanistics, Berlin. Our resea...
Reading List – Excessive research
https://transmedialeblog.wordpress.com/recommended-reading
Liverpool, UK, November 3-5, 2015. The Accursed Share: Consumption. Vol 1 (MIT Press, 1991). The Accursed Share: The History of Eroticism and Sovereignty. Vols 11 and III (MIT Press, 1993). Brown, Wendy,. Undoing the Demos: Neoliberalism’s Stealth Revolution. New York: Zone Books, 2015). Han, Byung-Chul,. Stanford: Stanford University Press, 2015). Sützl, Wolfgang On Sharing. Kunsthal Aarhus, 2015). Vattimo, Gianni and Santiago Zabala,. Hermeneutic Communism: From Heidegger to Marx.
Lea Muldtofte Gestelev – I Like What I See: The Constitution of Subjectivity Online – Excessive research
https://transmedialeblog.wordpress.com/2015/09/28/i-like-what-i-see-the-constitution-of-subjectivity-online
Liverpool, UK, November 3-5, 2015. Lea Muldtofte Gestelev – I Like What I See: The Constitution of Subjectivity Online. I Like What I See is a Chrome extension created by the artist Steve Klise. When activated this experimenting piece of software will click the. Bottom on every post you encounter, while scrolling down your newsfeed. Consequently, this means that you do not have to neither. Nor like anything, the I Like What I See application will, literally,. How does this pollution of irrelevance happen?
Programme – Excessive research
https://transmedialeblog.wordpress.com/preliminary-program
Liverpool, UK, November 3-5, 2015. Professor Caroline Wilkinson (Director of the School of Art and Design, LJMU). Kristoffer Gansing (Artistic Director, transmediale). 0930-11.00 (moderated by Christian Ulrik Andersen). 1130-13.00 (moderated by Joasia Krysa). Conversations / Writing / Newspaper production. Walk to FACT (with Mark Wright). 1300-14.30 (moderated by Lone Koefoed Hansen). 1500-16.30 (moderated by Geoff Cox). 1300 Introduction to exhibition at ERC (with John Byrne). 8211; Wolfgang Sützl.
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Lyndsay Mann
http://lyndsaymann.com/news
12 02 . 16. Panel Discussion, Glasgow Film Festival 2016. 630pm, Sunday 21 February 2016,. Clubroom, CCA Glasgow. LUX Scotland moderates a panel discussion that explores the national climate for producing ambitious experimental film and artists’ moving image in Scotland. The panel is composed of: artist Luke Fowler;. Director of Collective Gallery Kate Gray;. Artist Lyndsay Mann;. Producer Katie Nicoll;. Producer Kate Parker;. And moderated by Director of LUX Benjamin Cook. 11 02 . 16. Lyndsay Mann, 2016.
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Transmedia Learning Network
The Transmedia Learning Network is an independent, not-for-profit organisation whose members include an international group of film- and media-schools and faculties, forward-looking companies and organisations. Together we develop and deliver transmedia curricula, education and training, and initiate and support innovative transmedia projects. Film- and Media-Schools and Faculties. The Transmedia Learning Network. 31 653 285 110. Info (at) transmedialearningnetwork.org.
Transmedia Learning Network
The Transmedia Learning Network is an independent, not-for-profit organisation whose members include an international group of film- and media-schools and faculties, forward-looking companies and organisations. Together we develop and deliver transmedia curricula, education and training, and initiate and support innovative transmedia projects. Film- and Media-Schools and Faculties. The Transmedia Learning Network. 31 653 285 110. Info (at) transmedialearningnetwork.org.
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Excessive research – Liverpool, UK, November 3-5, 2015
Liverpool, UK, November 3-5, 2015. Nathan Jones – The Testimony of Structure: Codecs and Contemporary Poetry. 2015), Alexander Galloway proposes four regimes for art, based on their political and aesthetic incoherence or coherence. For example, is proposed to be. Aligned to a dogma and. It makes sense. Galloway finishes by proposing that it is to the dirty regime of. Artworks of the regime of. Exhibits precisely these qualities by disclosing, as a facet of the poems the formerly withdrawn aspects of rela...
Willkommen! « Transmediale Kunst
Transmediale Kunst Brigitte Kowanz. Die Klasse für Transmediale Kunst an der Universität für Angewandte Kunst beschäftigt sich mit transdisziplinären Ansätzen bei der Konzeption und Realisierung von Kunst. Die kritische Auseinandersetzung mit theoretischen und praktischen Methoden sowie die Reflexion über die kommunikativen, performativen und prozessualen Aspekte künstlerischer Strategien bilden dabei die Grundlage. FEAR ME Twofold Values. Von Studierenden und Freundinnen der. Eröffnung The Essence 15.
Transmedialer Raum | @ Kunsthochschule für Medien Köln
Kunsthochschule für Medien Köln. Ist ein Phänomen, das sich in den Übergängen, den Wanderungen und Verwandlungen zwischen Medien manifestiert. Sie kann sowohl auf der Ebene der Zeichen, als auch auf der technologischen Ebene beobachtet werden. Ihren ursprünglichsten Ausdruck findet sie im Traum; ihre ideellen Wurzeln in der Konzeptkunst der 70er Jahre, der geistigen Vorreiterin einer digitalen Kunst, in der alle Zeichensysteme auf Code beruhen was die geradezu unbegrenzte Datenübertragung zwische...
TransMedia Link's Blog
Welcome to our Blog! Tunbridge Wells, Kent, United Kingdom. View my complete profile. Tuesday, 21 September 2010. Does your organisation provide accessible versions(i.e Braille)of their documents for those who cannot access standard print? Http:/ polls.linkedin.com/p/103359/xyzet. Do you think the number of Braille users is in decline? Http:/ polls.linkedin.com/p/103367/vhztr. Are you aware of Easyread format which involves translating a document for use by people with learning disabilities? But their ch...
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Transmedia Literacy » Digital Culture Research Hub
Program of the Seminar. Program of the Seminar. Digital Culture Research Hub. Call for papers and presentations. June 30, 2013. Read More ». Call for papers and presentations. Website under construction. Stay tuned…. C/o Digital Culture Research Program at IN3-UOC,.
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