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Electronic Literature, Fall 2013 | English 3020, Special Topics—Professor Benzon

English 3020, Special Topics—Professor Benzon

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Electronic Literature, Fall 2013 | English 3020, Special Topics—Professor Benzon | tuelit13.wordpress.com Reviews
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Electronic Literature, Fall 2013 | English 3020, Special Topics—Professor Benzon | tuelit13.wordpress.com Reviews

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English 3020, Special Topics—Professor Benzon

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Course Schedule | Electronic Literature, Fall 2013

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Electronic Literature, Fall 2013. Live Reading and Close Reading. UPDATED AS OF SEPTEMBER 23. Monday, September 23. Shelley Jackson, Patchwork Girl. Shelley Jackson, Skin. George Landow, Selections from Hypertext 2.0. Jorge Luis Borges, The Garden of Forking Paths (BB). Monday, September 30. Michael Joyce, Twelve Blue. Class Visit by media artist. Temple MSP Faculty (Texts via email from Professor Benzon). Monday, October 7. Class Visit by digital poet Dan Waber. Section Three: Book and Interface. Dan Pi...

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Blog Post 8: A Poem without a Book, A Book without a Poem | Electronic Literature, Fall 2013

https://tuelit13.wordpress.com/2013/10/08/blog-post-8-a-poem-without-a-book-a-book-without-a-poem

Electronic Literature, Fall 2013. Live Reading and Close Reading. October 8, 2013. Blog Post 8: A Poem without a Book, A Book without a Poem. Is a central case of this. In terms of sheer word count, William Gibson. S poem Agrippa is probably one of the shortest texts we’ll read this semester, but the history of the text outside of the poem itself is one of the most complex and involved “Agrippa” the poem itself is bound up (literally and figuratively) in. The various components of the book. What are the ...

3

Blog Post 12: Reading the Database | Electronic Literature, Fall 2013

https://tuelit13.wordpress.com/2013/11/05/blog-post-12-reading-the-database

Electronic Literature, Fall 2013. Live Reading and Close Reading. November 5, 2013. Blog Post 12: Reading the Database. Our dizzying trip through the. So for this week’s post, I’d like you to reflect on the process and product of reading these pieces. What is the experience of engaging with these works like — how does it resemble and/or differ from the practice of reading other kinds of material (print, hypertext, etc.)? We have a range of different singular works to address in the reading for this week,...

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November | 2013 | Electronic Literature, Fall 2013

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Electronic Literature, Fall 2013. Live Reading and Close Reading. Monthly Archives: November 2013. November 19, 2013. Blog Post 14: Metagames, Antigames, Ungames. Last night in our first week of discussing literary gaming and game narrative, we looked at Dear Esther. So for this week, let’s focus on closely analyzing how these games work along these lines: what assumptions and expectations about gaming are these works critiquing, and how? And should be at least 250 words. If you have any questions, l...

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Deformation | Electronic Literature, Fall 2013

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Electronic Literature, Fall 2013. Live Reading and Close Reading. Update: Check your TU Mail for a link to upload your documentation and reflection/theory to Google Drive. In an early page of Galerie de Difformité. Gretchen Henderson invites readers to read crookedly (that is, correctly), not only by skipping around but by writing in her novel, pasting and stapling in other materials, and reshuffling its pages at will. Relatedly, Lisa Samuels and Jerome McGann. What stories do they reveal? In some way th...

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Teaching » Paul Benzon

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I teach courses in modern and contemporary literature, media studies, and critical writing in the English department at Skidmore. Click below for materials from some of my recent courses:. Literature in the Digital Age (Spring 2016). American Realism (Fall 2015). Digital Identity (Fall 2015, Spring 2016). Prior to coming to Skidmore, I taught the following courses at Temple University:. Issues in Digital Culture: Identity, Privacy, Social Change (Spring 2015). American Literature, 1865-Present (Fall 2014).

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Electronic Literature, Fall 2013 | English 3020, Special Topics—Professor Benzon

Electronic Literature, Fall 2013. Live Reading and Close Reading. November 19, 2013. Blog Post 14: Metagames, Antigames, Ungames. Last night in our first week of discussing literary gaming and game narrative, we looked at Dear Esther. So for this week, let’s focus on closely analyzing how these games work along these lines: what assumptions and expectations about gaming are these works critiquing, and how? In your post, one of the ones by Jason Nelson and one other one (either Phone Story or Passage).

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