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Using fiction to undo the constructs of reality and to access the Real

Using fiction to undo the constructs of reality and to access the Real. Friday, May 1, 2009. 1-Sabra and Shatila massacre. Image: Still from Waltz with Bashir. Image: Wedding in Shatila Refugee Camp, Beirut, Lebanon, June 2006. Photo by Golbarg Bashi. Deborah Thornton-Jackson, who was living in Beirut at that time with her Lebanese spouse and two young children, recalled. Image: Child killed at Sabra-Shatila massacre. From resistance.jeeran.com. Is violent protest effective. In the long term, short term?

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Using fiction to undo the constructs of reality and to access the Real | undoconstructs.blogspot.com Reviews

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Using fiction to undo the constructs of reality and to access the Real. Friday, May 1, 2009. 1-Sabra and Shatila massacre. Image: Still from Waltz with Bashir. Image: Wedding in Shatila Refugee Camp, Beirut, Lebanon, June 2006. Photo by Golbarg Bashi. Deborah Thornton-Jackson, who was living in Beirut at that time with her Lebanese spouse and two young children, recalled. Image: Child killed at Sabra-Shatila massacre. From resistance.jeeran.com. Is violent protest effective. In the long term, short term?

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Using fiction to undo the constructs of reality and to access the Real | undoconstructs.blogspot.com Reviews

https://undoconstructs.blogspot.com

Using fiction to undo the constructs of reality and to access the Real. Friday, May 1, 2009. 1-Sabra and Shatila massacre. Image: Still from Waltz with Bashir. Image: Wedding in Shatila Refugee Camp, Beirut, Lebanon, June 2006. Photo by Golbarg Bashi. Deborah Thornton-Jackson, who was living in Beirut at that time with her Lebanese spouse and two young children, recalled. Image: Child killed at Sabra-Shatila massacre. From resistance.jeeran.com. Is violent protest effective. In the long term, short term?

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undoconstructs.blogspot.com

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Using fiction to undo the constructs of reality and to access the Real: 3-Gayatri Chakravorty Spivak's 'planetary figure'

http://undoconstructs.blogspot.com/2009/05/p13.html

Using fiction to undo the constructs of reality and to access the Real. Friday, May 1, 2009. 3-Gayatri Chakravorty Spivak's 'planetary figure'. A model of identity that is not constituted in relation to an other is described in Models of the Self. 4], in which one does not identify with the individual (or nation, race, gender, class) but with the world. It is variously called the Self ( Bhagavad Gita. 4] Shear, Jonathan (Ed.). Models of the Self. Charlottesville, VA: Imprint Academic, 2000.

2

Using fiction to undo the constructs of reality and to access the Real: 10-Marjane Satrapi's Persepolis

http://undoconstructs.blogspot.com/2009/05/p6.html

Using fiction to undo the constructs of reality and to access the Real. Friday, May 1, 2009. Image: Still from Persepolis. 20] is used not only to render her character more 'attractive' but also more abstract and thus easier to identify with by the U.S. audience. I have used this strategy in the first entry ' Sabra-Shatila massacre. To seek connection, at the level of being human, to subjectify/'humanize' the Palestinians in the Sabra-Shatila refugee camp. This also appears in Waltz with Bashir. 4-Candic...

3

Using fiction to undo the constructs of reality and to access the Real: 11-Interventions into reality

http://undoconstructs.blogspot.com/2009/05/p4.html

Using fiction to undo the constructs of reality and to access the Real. Friday, May 1, 2009. It is because photographs of reality – and in fact reality itself – are not able to turn the objectified other into a subject[22] that it is necessary to create alternative representations and interventions into reality, to put a human perspective on the Palestinian/Israeli divide — whether this uses a dialectic through text, and concept (as in Jacir’s Where We Come From. 22] Barthes, 12. 25] Waxman, 44.

4

Using fiction to undo the constructs of reality and to access the Real: 6-Undoing all constructs

http://undoconstructs.blogspot.com/2009/05/p10.html

Using fiction to undo the constructs of reality and to access the Real. Friday, May 1, 2009. The move from identifying with the individual to identifying with the world/planet involves undoing all constructs, and connecting with others at the level underlying all constructs. For Lacan. How to cross this rift? How to access the Real? How to get pulled into the greater Other and identify with the world instead? What is the story of my gender role? What about me has no gender? What about me has no identity?

5

Using fiction to undo the constructs of reality and to access the Real: 2-I Am Milica Tomic

http://undoconstructs.blogspot.com/2009/05/p15.html

Using fiction to undo the constructs of reality and to access the Real. Friday, May 1, 2009. 2- I Am Milica Tomic. Image: Video still from Charim Galerie. The connection between nationalism and political violence is made by the Serbian artist Milica Tomic. In her video I Am Milica Tomic. 3]Princenthal, Nancy. "Feminism Unbound". Art in America. Subscribe to: Post Comments (Atom). 1-Sabra and Shatila massacre. 2-I Am Milica Tomic. 3-Gayatri Chakravorty Spivaks planetary figure. View my complete profile.

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reality-R-us: UndoConstructs: Where We Come From description by Lori Waxman

http://reality-r-us.blogspot.com/2009/05/undoconstructs-where-we-come-from.html

Monday, May 11, 2009. UndoConstructs: Where We Come From description by Lori Waxman. Linked from undoconstructs.blogspot.com. In Emily Jacir's series " Where We Come From. Source: Lori Waxman, "Picturing Failure",. Parachute 115, 2004. Subscribe to: Post Comments (Atom). UndoConstructs: Krishnamurti on images (interior, . UndoConstructs: Where We Come From description by .

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reality-R-us: May 2009

http://reality-r-us.blogspot.com/2009_05_01_archive.html

Monday, May 11, 2009. UndoConstructs: Krishnamurti on images (interior, private). Linked from undoconstructs.blogspot.com. If you observe you will see that you have an image about yourself, . [for instance] you have accumulated a great deal of experience, acquired a great deal of knowledge, which in itself creates . the image of the expert. Why do we have images about ourselves? UndoConstructs: Where We Come From description by Lori Waxman. Linked from undoconstructs.blogspot.com. Parachute 115, 2004.

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reality-R-us: UndoConstructs: Krishnamurti on images (interior, private)

http://reality-r-us.blogspot.com/2009/05/undoconstructs-krishnamurti-on-images.html

Monday, May 11, 2009. UndoConstructs: Krishnamurti on images (interior, private). Linked from undoconstructs.blogspot.com. If you observe you will see that you have an image about yourself, . [for instance] you have accumulated a great deal of experience, acquired a great deal of knowledge, which in itself creates . the image of the expert. Why do we have images about ourselves? Subscribe to: Post Comments (Atom). UndoConstructs: Krishnamurti on images (interior, .

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Using fiction to undo the constructs of reality and to access the Real

Using fiction to undo the constructs of reality and to access the Real. Friday, May 1, 2009. 1-Sabra and Shatila massacre. Image: Still from Waltz with Bashir. Image: Wedding in Shatila Refugee Camp, Beirut, Lebanon, June 2006. Photo by Golbarg Bashi. Deborah Thornton-Jackson, who was living in Beirut at that time with her Lebanese spouse and two young children, recalled. Image: Child killed at Sabra-Shatila massacre. From resistance.jeeran.com. Is violent protest effective. In the long term, short term?

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