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Uniformagazine

Thursday, 29 December 2016. Michael Gibbs, editor and publisher of concrete/visual poetry magazine Kontexts. 1969–77, and Amsterdam-based art journal Artzien. 1978–82. His All or nothing and other pages. Published this autumn, is a survey of his poetry, performance, photography and criticism. It has been five years since we published our first title, Anticipatory history. Published in spring 2016, John Bevis’s. The Keartons: Inventing nature photography. It was described by Richard Smyth in the TLS.

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Uniformagazine | uniformagazine.com Reviews
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Thursday, 29 December 2016. Michael Gibbs, editor and publisher of concrete/visual poetry magazine Kontexts. 1969–77, and Amsterdam-based art journal Artzien. 1978–82. His All or nothing and other pages. Published this autumn, is a survey of his poetry, performance, photography and criticism. It has been five years since we published our first title, Anticipatory history. Published in spring 2016, John Bevis’s. The Keartons: Inventing nature photography. It was described by Richard Smyth in the TLS.
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Uniformagazine | uniformagazine.com Reviews

https://uniformagazine.com

Thursday, 29 December 2016. Michael Gibbs, editor and publisher of concrete/visual poetry magazine Kontexts. 1969–77, and Amsterdam-based art journal Artzien. 1978–82. His All or nothing and other pages. Published this autumn, is a survey of his poetry, performance, photography and criticism. It has been five years since we published our first title, Anticipatory history. Published in spring 2016, John Bevis’s. The Keartons: Inventing nature photography. It was described by Richard Smyth in the TLS.

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1

Uniformagazine: Uniformagazine No.7

http://www.uniformagazine.com/2016/10/uniformagazine-no7.html

Monday, 3 October 2016. David Matless Votive Leaves. Kasper Pincis The Reader’s Digest Family Encyclopedia of World History. Martha Hellion A glance to the past. Phil Smith Trago Mills, Newton Abbot. Martin Fidler Black Magic. L L Zamenhof Unua Libro. Janet Boulton Painting highlights on trees. Subscribe to: Post Comments (Atom). Gathers contributions by the variety of writers and artists that we work with, as well as slighter or singular content. Buy Uniformbooks and Uniformagazine.

2

Uniformagazine: November 2016

http://www.uniformagazine.com/2016_11_01_archive.html

Friday, 11 November 2016. All or nothing and other pages by Michael Gibbs. Journals that he edited and published, as well as articles from the photography journal Perspektief. For which he wrote a regular column. A chronology of examples of his visual and concrete poems, books and photography is reproduced, along with documentation of performances. Edited by Gerrit Jan de Rook and Andrew Wilson. With 76 pages of black and white illustrations. Link to sample pages. Introduction by Andrew Wilson. Were to b...

3

Uniformagazine: Three new Uniformbooks

http://www.uniformagazine.com/2015/09/three-new-uniformbooks.html

Thursday, 17 September 2015. David Matless, The Regional Book. 8216;The Broads’ is the name given to a wetland region of eastern England. The broads themselves are shallow lakes, formed from flooded medieval peat excavations, set alongside or within the courses of the rivers Ant, Bure, Thurne, Waveney and Yare. Navigation, holidays and nature conservation have shaped the region, with tensions arising from differing assumptions about what the Broads landscape has been, is and might be. Reading (Story of) O.

4

Uniformagazine: Sounds Remote

http://www.uniformagazine.com/2016/04/sounds-remote.html

Tuesday, 26 April 2016. Soundcamp / Reveil was hosted by Stave Hill Ecological Park in Rotherhithe and coincided with International Dawn Chorus Day, a project of the Wildlife Trust for Birmingham and the Black Country. It benefited from the support of Sound and Music and Arts Council England. The publication takes its z-shaped double binding from the hand-sewn singinging. Printed by Colin Sackett in 1995 to notate sound rising and falling, via a text from the index to Nature in Downland. Uniformagazine: ...

5

Uniformagazine: Unshelfmarked: Reconceiving the Artists' Book

http://www.uniformagazine.com/2015/09/unshelfmarked-reconceiving-artists-book.html

Tuesday, 1 September 2015. Unshelfmarked: Reconceiving the Artists' Book. Unshelfmarked: Reconceiving the artists’ book. Michael Hampton vets the medium’s history, postulating a new timeline that challenges the orthodox view of the artists’ book as a form largely peculiar to the twentieth century. Published 14th September 2015. Subscribe to: Post Comments (Atom). Gathers contributions by the variety of writers and artists that we work with, as well as slighter or singular content.

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Photos | ericwatier.info

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Aller au contenu principal. Aller au contenu secondaire. Archives pour la catégorie Photos. Scier la branche etc. Le fichier original de l’installation présentée à SPAM! Est bien-sûr téléchargeable sur monotonepress.net. Impression numérique sur tissus, 3,00 m x 6,60 m, exposée par Carbone 14 à l’atelier-Galerie My Art Goes Boom à Montpellier, du 19 au 21 novembre 2015). Essai d’accrochage chez Aperto). Autre tentative d’accrochage chez Aperto.). Tentative d’accrochage chez Aperto). Figures de l’art.

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Editions | ericwatier.info

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Aller au contenu principal. Aller au contenu secondaire. Archives pour la catégorie Editions. Je viens de publier neuf « travaux discrets « , dans. Art, architecture, recherche ; regards croisés sur le processus de créations. Édité par les éditions de l’espérou à Montpellier, 2016, p.41-51.). Essayer [donc] de changer l’évidence de la décalque.). Essayer de décalquer facebook. Essayer de changer (un peu) la façon de décalquer.). L’essentiel de mon travail actuel est à suivre en direct sur facebook ).

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Actualité | ericwatier.info

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Aller au contenu principal. Une exposition organisée par Nicolas Giraud. À Marseile. Vernissage vendredi 4 mars. Exposition du 5 mars au 5 juin 2016. Des actions urbaines et une exposition collective sur une invitation de Roberto Martinez et Antonio Gallego chez Syndicat potentiel. De quelques publications d’artistes. Le Cdla organise au CAPC. De quelques publications d’artistes – Collection du Cdla. Je suis dans Uniformagazine. N 5, Winter-Spring 2016. U ne exposition de Julien Nédélec. Et Eric Watier,.

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ew | ericwatier.info

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Aller au contenu principal. Aller au contenu secondaire. Archives de l’auteur : ew. Un livre (un pli.). Christian Lebrat a fait une très jolie note sur. Un livre (Un pli). Journal 4, Alfortville, The Shelf Company, 2016, p.135. Jérôme Dupeyrat parle de. De l’exposition, de l’édition (et de bien d’autres choses) dans son article « L’art exposé, l’art édité », publié dans. Journal 4, Alfortville, The Shelf Company, 2016, p.96-111.). Je viens de publier neuf « travaux discrets « , dans. Je viens de recevoir.

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ericwatier.info | Page 2

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Aller au contenu principal. Aller au contenu secondaire. Articles plus récents →. Je suis dans le dernier numéro de. Figures de l’art. Esthétique du don de Marcel Mauss aux arts contemporains. Sous la direction de Jacinto Laeira et Agnès Lontrade). Test sur papier A4). Série de douze impressions sur papier). Sur le mur du bureau, histoire de voir ce que ça donne…). Impression sur papier A4). Le vilain petit canard (suite). Je suis dans le numéro 3 du Vilain petit canard. Si c’était à refaire…. Coordinati...

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J. R. CARPENTER || Critical Writing

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J R CARPENTER Critical Writing. What we write is always a question. A question desires a reply. Writing Coastlines: Either and Both. An article published in:. Performance Research 21.2. Taylor and Francis, 3 May 2016. Download PDF: Writing Coastlines: Either and Both. A Topographical Approach to Re-Reading Books about Islands in Digital Literary Spaces. An article published in:. MATLIT: Journal of the Doctoral Program in Materialities of Literature. University of Coimbra, Portugal. Writing Coastlines: Lo...

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Uniformagazine

Thursday, 29 December 2016. Michael Gibbs, editor and publisher of concrete/visual poetry magazine Kontexts. 1969–77, and Amsterdam-based art journal Artzien. 1978–82. His All or nothing and other pages. Published this autumn, is a survey of his poetry, performance, photography and criticism. It has been five years since we published our first title, Anticipatory history. Published in spring 2016, John Bevis’s. The Keartons: Inventing nature photography. It was described by Richard Smyth in the TLS.

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