View-inter-view with Silke Otto-Knapp. View-inter-view with Jane Jin Kaisen. View-inter-view with Roy Dowell. View-inter-view with Tyler Coburn. View-inter-view with Olga Koumoundouros. View-inter-view with Juli Carson.
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view inter view | view-inter-view.com Reviews
https://view-inter-view.com
View-inter-view with Silke Otto-Knapp. View-inter-view with Jane Jin Kaisen. View-inter-view with Roy Dowell. View-inter-view with Tyler Coburn. View-inter-view with Olga Koumoundouros. View-inter-view with Juli Carson.
view-inter-view.com
|| | | | between views ||| | | | | | | | |
http://www.view-inter-view.com/betweenviews
Each post at view-inter-view should function to you like a between view a way of getting at art’s thought and production from the between, from the around, from the through, and to do this between/around/through type of viewing in a substantive way. An analogy from the visual world: The . . . between views. That make up view-inter-view function like Léger’s painting The. I) thickness in your face [the single baluster]; but also. The between views . . . When we acknowledge not only the essential in-your-f...
view-inter-view with Tyler Coburn
http://www.view-inter-view.com/tylercoburn
View-inter-view with Tyler Coburn. View-inter-view with Tyler Coburn. Ragen Moss: When I think about your work, I tend to think of it in literary terms first and performative histories only secondarily. Could you talk about your work pushing off of a literary point? I should add that this is not to say that one would or should locate your work within the literary, but to suggest that there is something rule-breaking about the way you navigate the literary and the performative.). Awkwardly). My projec...
view-inter-view with Jane Jin Kaisen
http://www.view-inter-view.com/jane-jin-kaisen
View-inter-view with Jane Jin Kaisen. View-inter-view with Jane Jin Kaisen. Ragen Moss: I was hoping we could start by speaking about the relevance of poetics in your films. Is there a strategy of sorts in the way you work with (and against) poetry within a filmic document? Can you get into any specifics in your work, or in decisions you make within your work, that can help us understand how you undermine history “as a thing”? JJK: I use poetry in my work along with a number of techniques, such as montag...
about
http://www.view-inter-view.com/about
View-inter-view is about encouraging a . . . between. An elliptical, peripheral, or roving kind of view . . . into work that usually demands to be considered head-on. That encourages another kind of freedom that produces its own gifts for the orbits of art. The hope is that, here, art and its constellation of thought will have another way to breathe and workout.
references
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Http:/ uag.arts.uci.edu.
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Links | Ragen Moss
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Http:/ www.view-inter-view.com. Http:/ uag.arts.uci.edu/exhibit/chiasmus-zones-political-and-aesthetic-imagination-0. Http:/ post-la.blogspot.com/2013/06/kim-schoen-july-9.html. Http:/ control-room.org/index.php?
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View-inter-view with Silke Otto-Knapp. View-inter-view with Jane Jin Kaisen. View-inter-view with Roy Dowell. View-inter-view with Tyler Coburn. View-inter-view with Olga Koumoundouros. View-inter-view with Juli Carson.
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