visibletracks.wordpress.com

visibletracks | documenting WAKE & ARCHIPELAGO, a constantly evolving programme of installations, performances and interventions created by over 20 artists. WAKE and ARCHIPELAGO are produced by Artsadmin in association with CGP London and supported by

documenting WAKE & ARCHIPELAGO, a constantly evolving programme of installations, performances and interventions created by over 20 artists. WAKE and ARCHIPELAGO are produced by Artsadmin in association with CGP London and supported by the National ******* through Arts Council England.

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visibletracks | documenting WAKE & ARCHIPELAGO, a constantly evolving programme of installations, performances and interventions created by over 20 artists. WAKE and ARCHIPELAGO are produced by Artsadmin in association with CGP London and supported by | visibletracks.wordpress.com Reviews

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documenting WAKE & ARCHIPELAGO, a constantly evolving programme of installations, performances and interventions created by over 20 artists. WAKE and ARCHIPELAGO are produced by Artsadmin in association with CGP London and supported by the National ******* through Arts Council England.

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visibletracks | documenting WAKE & ARCHIPELAGO, a constantly evolving programme of installations, performances and interventions created by over 20 artists. WAKE and ARCHIPELAGO are produced by Artsadmin in association with CGP London and supported by | visibletracks.wordpress.com Reviews

https://visibletracks.wordpress.com

documenting WAKE & ARCHIPELAGO, a constantly evolving programme of installations, performances and interventions created by over 20 artists. WAKE and ARCHIPELAGO are produced by Artsadmin in association with CGP London and supported by the National ******* through Arts Council England.

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visibletracks.wordpress.com

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Films by Olga Koroleva & Publications by Hydar Dewachi now available online… | visibletracks

https://visibletracks.wordpress.com/2011/11/22/films-by-olga-koroleva-publications-by-hydar-dewachi-now-available-online

Films by Olga Koroleva and Publications by Hydar Dewachi now available online…. On November 22, 2011 · Leave a Comment. Olga Koroleva’s short films combining footage from all the artists’ work are also now available to watch online. They beautifully capture the evolution of the exhibitions over time, picking up on key moments in each piece. You can find the WAKE film and publication. And the ARCHIPELAGO film and publication. On Artsadmin’s blog Artsonline. The apps are available from iTunes. Joanna Brown...

2

ARTISTS | visibletracks

https://visibletracks.wordpress.com/artists

A little bit about each of the artists involved. Click on a name to go directly to the artist’s website. Has undertaken numerous solo and collaborative projects worldwide, in diverse media including performance, installation, drawing, photography, video and sound, using materials that range from fire, wind, steam and honey to laughter and breath. She recently was awarded a Franklin Furnace International Fellowship in New York where she worked with several artists to produce. Is a visual artist whose work...

3

ARCHIPELAGO | visibletracks

https://visibletracks.wordpress.com/archipelago

Was a mixed exhibition of installation and performance. Each artist marked his or her territory. They chose whether to defend themselves against the others or cooperate; trade or start a war with them. They co-existed; there was no sequence of performances. Skirting (Version One) (2011). The Crow who didn’t know… (2011). Funnel of love (2011). Human Folk Bird (2011). Frog Morris and Lee Campbell. I LIKE DUCKS / I LIKE DUCK (2011). Make It Rain (2011). Proposed Monument for the Edge of the Universe (2011).

4

WAKE | visibletracks

https://visibletracks.wordpress.com/wake

Visible tracks of turbulence) interrogates materiality itself, as well as notions of ownership, of collective process and the transmission of ideas. Began the process (11/12 June), followed by William Cobbing. 18/19 June), David Cotterrell. 25/26 June), Carl Von Weiler. 2/3 July), Rachel Lowe. 9/10 June) and concluded by Bronwen Buckeridge. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). CGP London's website.

5

CONTRIBUTORS | visibletracks

https://visibletracks.wordpress.com/contributors

Visible Tracks wouldn’t be what it is without the people who made it. Is a solo theatre maker and writer based in Scotland. Her current work is centred around how we read and relate to the environment around us. She makes devised solo performances using a combination of movement, text and gesture which can be read as visual poetry played out on the stage. More information about her work can be found at joannamarybrown.wordpress.com. She is Assistant Curator in the Department of Theatre and Performance at...

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goodgreyday.blogspot.com

Good Grey Day: August 2011

http://goodgreyday.blogspot.com/2011_08_01_archive.html

Sunday, 7 August 2011. Last week I took part in The Summer School for Literary Perverts. At The Whitechapel Gallery. Under the watchful eye of current writers in residence information as material. Each day began with a lecture; Simon Morris. Talked us through the brilliant poetic anarchy of his projects The Royal Road to the Unconscious. 2003) and Getting inside Jack Kerouac's head. 2010); Nick Thurston. I really appreciated hearing about this possible interspace between modes of art and literature (some...

goodgreyday.blogspot.com

Good Grey Day: The Mouth of the Cave

http://goodgreyday.blogspot.com/2012/01/not-i-mouth-of-cave.html

Tuesday, 10 January 2012. The Mouth of the Cave. I've been fascinated with the writing of. And caught in a stasis loop of its own creation. Is perhaps my favourite for the sheer, raw, voracity of the visual image it presents as well as it being one of the most interesting female voices Beckett writes - particularly when read in line with some feminist critiques. What is a voice without a body? In a chapter from her landmark text. Speculum of the Other Woman. Allegory of the Cave. From this allegory, Plat...

goodgreyday.blogspot.com

Good Grey Day: Send / Recieve

http://goodgreyday.blogspot.com/2011/11/send-recieve.html

Tuesday, 8 November 2011. Some years ago, when I was working at The Fishmarket Gallery. In Northampton, I was lucky enough to meet the Glasgow based musician and artist Fergus Lawrie. Fergus used to be in the band Urusei Yatsura. But now makes experimental sound pieces and installations under various guises. And among a rich scene of other experimental practitioners in Scotland. Obscure Desire of the Bourgeoisie. Installed at the Fishmarket Gallery, 2009. Photo by Phil Sharp. The notion of purposely veil...

goodgreyday.blogspot.com

Good Grey Day: November 2012

http://goodgreyday.blogspot.com/2012_11_01_archive.html

Monday, 5 November 2012. Diagrams seem to be having something of a moment. Their usage in all branches of philosophy is well documented; from the hard edges of logic problems, to Lacanian. To the soft intensity of Deleuzean and Bergsonian planes of matter and experience…. While the notion of a diagram as a pedagogic tool meant to clarify and enlighten is widely accepted, there are doubtlessly cases in which it might actually make things worse (see below! Via a measured method of data collection and metic...

goodgreyday.blogspot.com

Good Grey Day: May 2011

http://goodgreyday.blogspot.com/2011_05_01_archive.html

Wednesday, 18 May 2011. A little something inspired by Sian Hislop's excellent exhibition at French Riviera Gallery in Bethnal Green. The verse is pretty teenage. But Sian didn't seem to mind because the clamour of teen passion, ripped knees,. Acrylic ink and oil on paper, 65 x 85 cm. What's wrong with all this kissing and stuff? Fingers feel the drift of rainbow brite / megabite joy falling. Hooked in a waistband. He drives me crazy with the way he is. All casual dress, glitter-fuck and night fun. This ...

goodgreyday.blogspot.com

Good Grey Day: January 2012

http://goodgreyday.blogspot.com/2012_01_01_archive.html

Tuesday, 10 January 2012. The Mouth of the Cave. I've been fascinated with the writing of. And caught in a stasis loop of its own creation. Is perhaps my favourite for the sheer, raw, voracity of the visual image it presents as well as it being one of the most interesting female voices Beckett writes - particularly when read in line with some feminist critiques. What is a voice without a body? In a chapter from her landmark text. Speculum of the Other Woman. Allegory of the Cave. From this allegory, Plat...

goodgreyday.blogspot.com

Good Grey Day: The Last Post

http://goodgreyday.blogspot.com/2013/05/the-last-post.html

Monday, 27 May 2013. Good Grey Day Has Moved. The Archive Shall Remain. Please Join Me At. Subscribe to: Post Comments (Atom). Writer for hire studying Contemporary Art Theory at Goldsmiths and engaged in the care of a library. Email Me at goodgreyday@gmail.com. View my complete profile. ɴ●♰ξs ϝᴙ●ლ ♰Ӊξ ṿ◍♏ⅉ✞◍ℾⅉữ♏-. Blog : Graphic work of Natalie Nicklin. Don't mix the colors. If Charlie Parker Was a Gunslinger,There'd Be a Whole Lot of Dead Copycats. Poetic practice journal by zillakiller {ryan ormonde}.

goodgreyday.blogspot.com

Good Grey Day: Lately....

http://goodgreyday.blogspot.com/2012/05/lately.html

Friday, 4 May 2012. Good Grey Day has been silent for a while and it has been mainly because of concentration on other voices. I've been working on various things surrounding, but not exclusive to, my MA Contemporary Art Theory at Goldsmiths. The course in question, Vocalities, taught by Mark Fisher. Has been a mellifluous journey through Mladen Dolar's ethereal exo-voice. Barthes' machinic grain, Kaja Silverman's Acoustic Mirror. Prof Barker's Vocal head-smash. And the piping of Kafka's mousefolk. It's ...

goodgreyday.blogspot.com

Good Grey Day: May 2012

http://goodgreyday.blogspot.com/2012_05_01_archive.html

Thursday, 17 May 2012. Conversations with the Voiceless Glass. At the end of last month I finished a paper titled Conversations with the Voiceless Glass: Learned Glossolalia, Conduit Speech and the Machinic Grain. Which explored our contemporary relationship to communication technology, focusing on the idealised and very physical form that these relationships can take. I have been interested for a while in the idea of telephonic bodies. And was inspired by a work called Anathama. Which The Otolith Group.

goodgreyday.blogspot.com

Good Grey Day: April 2011

http://goodgreyday.blogspot.com/2011_04_01_archive.html

Wednesday, 20 April 2011. Drinking Retsina in a paper boat. Re enactment and evocation are intertwined. It is the re creation of pictures within pictures - stand out moments from history that carry forward into living memory to be reborn. These can be tiny, triggered by a word or a name or the flicker of an eye - but the resonances they create pulse continually to colour the present moment. Do You Love Me Like I Love You (clips from parts 5, 6 and 7). From Iain and Jane. Anyone Else Isn't You. No to the ...

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visibletracks | documenting WAKE & ARCHIPELAGO, a constantly evolving programme of installations, performances and interventions created by over 20 artists. WAKE and ARCHIPELAGO are produced by Artsadmin in association with CGP London and supported by

Films by Olga Koroleva and Publications by Hydar Dewachi now available online…. Latest from @wake arch on Twitter. Up online by @ artsadm. I wrote a little something about the projects earlier in the year twitter.com/iok. RT @ laura milnes. Tonight's the launch of the @ wake arch. Film and online publications. Excited to welcome the gang back to Toynbee Studi . 3 years ago. The Barbican Centre's Extraordinary Voices Weekender should get you singing http:/ bit.ly/qEsekr. Sponsor) 4 years ago. Following th...

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