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elke marhöfer

Film, China, 2015. Film, Japan, 2015. Deleuze’s Cultural Encounters with the New Humanities. Deleuze Studies International Conference Stockholm. Her films have been screened at the Berlinale Internationale Filmfestspiele Berlin, International Film Festival Rotterdam, Courtisane Festival Ghent and Images Film Festival Toronto. Prendas - ngangas - enquisos - machines. Each part welcomes the other without saying}. Film, Cuba, 2014. Film, Burkina Faso,. Nobody knows, when it was made and why. IDEA, print 2007.

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Elke Marhoefer

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elke marhöfer | whatevertext.net Reviews
<META>
DESCRIPTION
Film, China, 2015. Film, Japan, 2015. Deleuze’s Cultural Encounters with the New Humanities. Deleuze Studies International Conference Stockholm. Her films have been screened at the Berlinale Internationale Filmfestspiele Berlin, International Film Festival Rotterdam, Courtisane Festival Ghent and Images Film Festival Toronto. Prendas - ngangas - enquisos - machines. Each part welcomes the other without saying}. Film, Cuba, 2014. Film, Burkina Faso,. Nobody knows, when it was made and why. IDEA, print 2007.
<META>
KEYWORDS
1 current
2 interviews and te
3 biography
4 publications
5 contact information
6 primate colors
7 shape shifting
8 hong kong and
9 daughters of chaos
10 mohammad ali
CONTENT
Page content here
KEYWORDS ON
PAGE
current,interviews and te,biography,publications,contact information,primate colors,shape shifting,hong kong and,daughters of chaos,mohammad ali,film,china,installation,china/shanghai,permeable super,real,fragmented forest,2 screen projection,burkina faso
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elke marhöfer | whatevertext.net Reviews

https://whatevertext.net

Film, China, 2015. Film, Japan, 2015. Deleuze’s Cultural Encounters with the New Humanities. Deleuze Studies International Conference Stockholm. Her films have been screened at the Berlinale Internationale Filmfestspiele Berlin, International Film Festival Rotterdam, Courtisane Festival Ghent and Images Film Festival Toronto. Prendas - ngangas - enquisos - machines. Each part welcomes the other without saying}. Film, Cuba, 2014. Film, Burkina Faso,. Nobody knows, when it was made and why. IDEA, print 2007.

INTERNAL PAGES

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1

toad/turtle

http://www.whatevertext.net/China/No_I_am_not.html

Ani, Nan DooKKeobiga Anigo Geobuk-ee Yo! No, I am not a toad, I am a turtle! 16mm transferred to DV, color, sound, 40 min 01 sec, Germany/South Korea/China, 2012. Excerpt of the text by Anselm Franke:. No, I am not a toad, I am a turtle! Includes contributions by Anselm Franke, Lee Bo Hyung, Fredrik Svensk, Elke Marhöfer, Monica Fernandez, Maebelle Ruth Brines, Oh Eunja. Is produced by Archive Books Berlin (Continuous Cinema Serie) 2012. Elke Marhöfer / No, I am not a toad, I am a turtle. Price: 22,00 EUR.

2

news

http://www.whatevertext.net/news.html

International Film Festival Rotterdam. In collaboration with Mikhail Lylov, Screening (premiere). In collaboration with Mikhail Lylov, Screening (premiere). Measuring the times of Asia,. Curated by Anselm Franke, September. In collaboration with Mikhail Lylov. Exhibition. Prendas - ngangas - enquisos -. Machines {each part welcomes the. No, I am not a Toad, I am a Turtle! In collaboration with Courstisane. Eacute;cole supérieure des arts). Screening and talk. Gaîté Lyrique. London, October 29th,.

3

elke marhöfer

http://www.whatevertext.net//distribution/distribution.html

Texte zur Kunst, Springerin und Cabinett Magazin. Stark vereinfacht stellt sich das moment der gegenseitigen beachtung, in dem durch produkte sprechenden bereich kunst so dar, dass institutionen/galerien in kunstmagazinen für sehr viel geld inserate schalten und dass diese ökonomischen investitionen mit ideologischen reinvestitionen quittiert werden, das heißt artikel erscheinen. klar! Es existiert ein auf gegenseitige ideologische und ökonomische gewinne hin ausgerichtetes verhältnis. The moment of mutu...

4

elke marhoefer

http://www.whatevertext.net/China/oblation_for_a_forest.html

2012, DV, 15:22 min, China. Testing a “speculative camera”, it stays unclear what is at issue: the plants, the light, the shadow and the plastic pieces of the worshiped tree become inseparabel. Every image becomes a thing and the things become images. Many thanks to: Zhou Hongxiang, and Zhang Li.

5

publications

http://www.whatevertext.net/publications.html

Prendas-ngangas-enquisos-machines {each part welcomes the other without saying}. Nobody knows, when it was made and why. Is part of Elke Marhöfer’s doctoral thesis. Ecologies of Practices and Thinking. Valand Academy University of Gothenburg. With essays by Anna Tsing,. Christoph Brunner, Ron Eglash and Colin Garvey, Andrea Bellu, Matei Bellu, Mikhail Lylov and Elke Marhöfer. Softcover: 77 pages, 21,5 x 29, full-color. Editors: Elke Marhöfer and Mikhail Lylov. Proof reading: Lojang Soenario. The melancho...

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elke marhöfer

Film, China, 2015. Film, Japan, 2015. Deleuze’s Cultural Encounters with the New Humanities. Deleuze Studies International Conference Stockholm. Her films have been screened at the Berlinale Internationale Filmfestspiele Berlin, International Film Festival Rotterdam, Courtisane Festival Ghent and Images Film Festival Toronto. Prendas - ngangas - enquisos - machines. Each part welcomes the other without saying}. Film, Cuba, 2014. Film, Burkina Faso,. Nobody knows, when it was made and why. IDEA, print 2007.

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