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Countercultural Literature

ENGL 119 / Winter 2011 — Prof. Michael S. Hennessey, University of Cincinnati

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Countercultural Literature | engl119winter11.blogspot.com Reviews
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Countercultural Literature | engl119winter11.blogspot.com Reviews

https://engl119winter11.blogspot.com

ENGL 119 / Winter 2011 — Prof. Michael S. Hennessey, University of Cincinnati

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1

Countercultural Literature: Class Schedule (Subject to Change)

http://engl119winter11.blogspot.com/2010/08/class-schedule-subject-to-change.html

ENGL 119 / Winter 2011 — Prof. Michael S. Hennessey, University of Cincinnati. Tuesday, January 4, 2011. Class Schedule (Subject to Change). Tuesday, Jan. 4: introductions, syllabus, etc. plus The Source. Dir Chuck Workman, 1999). Thursday, Jan.6: No Class — Professor Conference. Tuesday, Jan. 11: Jack Kerouac, On the Road. Thursday, Jan. 13: Jack Kerouac, On the Road,. Tuesday, Jan. 18: Jack Kerouac, On the Road,. Thursday, Jan. 20: Neal Cassady, The First Third. Thursday, Feb. 3: Mexico City Blues,.

2

Countercultural Literature: Final Essay Questions (due 5:00 PM, March 17th)

http://engl119winter11.blogspot.com/2011/02/final-essay-questions-due-500-pm-march.html

ENGL 119 / Winter 2011 — Prof. Michael S. Hennessey, University of Cincinnati. Saturday, February 26, 2011. Final Essay Questions (due 5:00 PM, March 17th). Can you make any connections, either between authors or the types of transgression you address, drawing more general conclusions about the place of rule-breaking within the Beat ethos? Does style get in the way of the message or augment it? And throughout Ginsberg's poetry, and drawing upon these sources, I'd like you to conduct a character analysis ...

3

Countercultural Literature: Corso: the Last Beat Comment Thread

http://engl119winter11.blogspot.com/2011/03/corso-last-beat-comment-thread.html

ENGL 119 / Winter 2011 — Prof. Michael S. Hennessey, University of Cincinnati. Thursday, March 10, 2011. Corso: the Last Beat Comment Thread. It was great to see so many of you come out for today's screening of Corso: the Last Beat. And it seemed like the perfect way to bring our wonderful quarter together to a close. Also, if you have any questions regarding the final essays, please feel free to e-mail me. While I'll be away this weekend, I'll try to respond as quickly as possible. Overall, I think this...

4

Countercultural Literature: Presentation Schedule

http://engl119winter11.blogspot.com/2011/01/presentation-schedule.html

ENGL 119 / Winter 2011 — Prof. Michael S. Hennessey, University of Cincinnati. Tuesday, January 4, 2011. Tuesday, Jan. 4: introductions, syllabus, etc. plus The Source. Dir Chuck Workman, 1999). Thursday, Jan.6: No Class — Professor Conference. Tuesday, Jan. 11: Jack Kerouac, On the Road. Thursday, Jan. 13: Jack Kerouac, On the Road,. Day 2 / Mary Gorsek. Tuesday, Jan. 18: Jack Kerouac, On the Road,. Day 3 / Cameron Tolliver. Thursday, Jan. 20: Neal Cassady, The First Third. Day 1 / Hannah Moore. Thursda...

5

Countercultural Literature: Course Description

http://engl119winter11.blogspot.com/2011/01/course-description.html

ENGL 119 / Winter 2011 — Prof. Michael S. Hennessey, University of Cincinnati. Tuesday, January 4, 2011. Left to right: Neal Cassady, Jack Kerouac, Gregory Corso, Allen Ginsberg, William S. Burroughs). The Beat Generation first entered the public sphere with the publication of Allen Ginsberg's Howl and Other Poems. In 1956 (a book which would be tried for obscenity and ultimately vindicated). Other germinal books followed, including Jack Kerouac's On the Road. Excessive consumption of fossil fuels. Micha...

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ENGL 119 / Winter 2011 — Prof. Michael S. Hennessey, University of Cincinnati. Thursday, March 10, 2011. Corso: the Last Beat Comment Thread. It was great to see so many of you come out for today's screening of Corso: the Last Beat. And it seemed like the perfect way to bring our wonderful quarter together to a close. Also, if you have any questions regarding the final essays, please feel free to e-mail me. While I'll be away this weekend, I'll try to respond as quickly as possible. And Kerouac's uneasy ...

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