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Skip to main content. Subscriptions and Single Issues. Search for this keyword. Search for this keyword. Subscriptions and Single Issues. Robert Schumann, Serious Virtuosity, and the Rhetoric of the Sublime. 101525/jm.2016.33.4.433. The Form of Paradox as the Paradox of Form. Beethoven’s Tempest, Schlegel’s Critique, and the Production of Absence. 101525/jm.2016.33.4.483. Anthologies and Their Concordant Sources. Cory M. Gavito. 101525/jm.2016.33.4.522. 101525/jm.2016.33.4.569. Vol 33 No. 4, Fall 2016.

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Journal of Musicology

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Skip to main content. Subscriptions and Single Issues. Search for this keyword. Search for this keyword. Subscriptions and Single Issues. For over thirty years, the widely-respected. Mdash; one of few comprehensive peer-reviewed journals in the discipline. Mdash;has offered articles in every period, field, and methodology of musicological scholarship. Its contributors range from senior scholars to new voices in the field. Its reach is international, with article authors and readers throughout the world.

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Table of Contents — October 01, 2016, 33 (4) | Journal of Musicology

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Skip to main content. Subscriptions and Single Issues. Search for this keyword. Search for this keyword. Subscriptions and Single Issues. Vol 33 No. 4, Fall 2016. Robert Schumann, Serious Virtuosity, and the Rhetoric of the Sublime. 101525/jm.2016.33.4.433. The Form of Paradox as the Paradox of Form. Beethoven’s Tempest, Schlegel’s Critique, and the Production of Absence. 101525/jm.2016.33.4.483. Anthologies and Their Concordant Sources. Cory M. Gavito. 101525/jm.2016.33.4.522. Table of Contents (PDF).

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Jesse Rodin is Associate Professor of Music at Stanford University and co-editor of the. He is the author of Josquin’s Rome. Hearing and Composing in the Sistine Chapel. Oxford University Press, 2012), editor of a volume of. 2014), and co-editor of. History of Fifteenth-Century Music. 2015) He directs the Josquin Research Project. A digital tool for exploring a large corpus of Renaissance music. Current projects include a monograph on form in fifteenth-century music, with Cambridge University Press.

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The Real W . We took the "Worldwide Web,". Corrected its grammar,. And removed its excesses;. The results are amazing. Visit the Cinematic Canon. Watch the paint peel. Warning: Do not read this site on a "smart" phone. An homage to the original Web? From Chapter IX: Literary Bibles of Albert Guérard's Preface to World Literature [1940], one of the few serious critical studies of the kind of canonization projects documented at Greater Books. Even in the worldly sense. He would escape from the pettines...

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Skip to main content. Subscriptions and Single Issues. Search for this keyword. Search for this keyword. Subscriptions and Single Issues. Robert Schumann, Serious Virtuosity, and the Rhetoric of the Sublime. 101525/jm.2016.33.4.433. The Form of Paradox as the Paradox of Form. Beethoven’s Tempest, Schlegel’s Critique, and the Production of Absence. 101525/jm.2016.33.4.483. Anthologies and Their Concordant Sources. Cory M. Gavito. 101525/jm.2016.33.4.522. 101525/jm.2016.33.4.569. Vol 33 No. 4, Fall 2016.

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