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A Carnatic music blog

(by Ramya)

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A Carnatic music blog | ramyasspace.wordpress.com Reviews
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(by Ramya)
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1 ramya
2 1 comment
3 remembering mela names
4 shuddha madhyama
5 madyama groups
6 prati madhyama
7 mela
8 place of 10
9 chakra so r2
10 references
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A Carnatic music blog | ramyasspace.wordpress.com Reviews

https://ramyasspace.wordpress.com

(by Ramya)

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Untitled | A Carnatic music blog

https://ramyasspace.wordpress.com/2012/12/26/understanding-and-remembering-the-melakarta-ragas/untitled-4

A Carnatic music blog. Understanding and remembering the melakarta ragas. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email. An English song by MS.

2

Manodharma–Alapana | A Carnatic music blog

https://ramyasspace.wordpress.com/2011/06/28/manodharmaalapana

A Carnatic music blog. June 28, 2011. Right from vedic age, music has been omnipresent. While Rig/Yajur vedas are recited as hymns, Sama veda is sung. During Yagyas and yagas, a particular set of hymns must be presented by Samavedis in musical forms. Nadopasana is as special as Vedopasana. 1) The singer/instrumentalist Who just learns and presents his skills on stage. 2) Musician Who can sing/play according to the taste of audience. 4 Graha swaras are those with which a phrase can begin. Musician sho...

3

Melakarta Ragas – Chakras | A Carnatic music blog

https://ramyasspace.wordpress.com/2012/12/26/melakarta-ragas-chakras

A Carnatic music blog. Melakarta Ragas – Chakras. Melakarta Ragas – Chakras. December 26, 2012. Understanding the mela ragas I. In order to understand the structure of each mela raga, it is essential to know the different swaras that form the basis for these ragas. The mela ragas are also divided into twelve groups or chakras which are basis for finding out the scale of mela raga. Etymology of Swaras and Chakras. Ma -Madhyama Meaning centrally located. Shuddha Rishaba/ Dhaivata Shuddha means pure. Kaisik...

4

Irayimman Thampi | A Carnatic music blog

https://ramyasspace.wordpress.com/2012/05/08/irayimman-thampi

A Carnatic music blog. Legends of Carnatic Music. May 8, 2012. Irayimman Thampi ( 1782 1856). There existed a healthy competition in composing songs between Swati Thirunal and Thampi, who was affectionately addressed as Thampi Maman by Swati Thirunal. Swathi Thirunal’s famous lyrics ‘Panchabanan thannudei….’ and Thampi’s Prananadhanenikku Nalkiya…. were the results of such competitions. While residing in an kizhakkE maDam, an almost-torn down old house, Irayimman Thampi wrotea verse in maNipravALam, empl...

5

How to read notations in Carnatic music | A Carnatic music blog

https://ramyasspace.wordpress.com/2011/06/24/64

A Carnatic music blog. How to read notations in Carnatic music. How to read notations in Carnatic music. June 24, 2011. Often music notes confuse us with the punctuation marks, upper case and lower case letters. In this post I have tried to explain most commonly used punctuation marks and tala symbols. A comma indicates the space of one akshara kala or note. A semi colon represents two akshara kalas or space for 2 notes. Lower case notes- Just one akshara kala or note. Dots: A dot below a swara indicates...

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A Carnatic music blog. Understanding and remembering the melakarta ragas. December 26, 2012. This is a sequel to my previous post. This post is predominantly a consolidation of many of the theories we earlier discussed. So a quick glance into my previous posts on Theory of Music would help. 8211; Ka Se. Ga Cha Ma Ya. Sa Ga Dha Shya Kaa Su. Eg Dheerashankarabarana where Dhee and Ra are the first two syllables. Dha (closest to Dhee) 9. Reverse it to get the mela number of the raga i.e. 29. Every chakra rep...

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