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Richard Staub

Artist’s Résumé.

http://www.richardstaub.com/

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PAGE TITLE
Richard Staub | richardstaub.com Reviews
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DESCRIPTION
Artist’s Résumé.
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KEYWORDS
1 richard staub
2 artist’s statement
3 painting
4 drawing
5 sculpture
6 sewn plastic pieces
7 black thread pieces
8 hair pieces
9 necklace pieces
10 taped plastic pieces
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richard staub,artist’s statement,painting,drawing,sculpture,sewn plastic pieces,black thread pieces,hair pieces,necklace pieces,taped plastic pieces
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Richard Staub | richardstaub.com Reviews

https://richardstaub.com

Artist’s Résumé.

INTERNAL PAGES

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1

Richard Staub - Necklace Pieces

http://www.richardstaub.com/sculpture/necklace.html

Sculpture / Necklace Pieces. Artist’s Résumé.

2

Richard Staub - Sewn Drawings

http://www.richardstaub.com/drawing/sewn.html

Drawing / Sewn Drawings. Artist’s Résumé.

3

Richard Staub - Hair Pieces

http://www.richardstaub.com/sculpture/hair.html

Sculpture / Hair Pieces. Artist’s Résumé.

4

Richard Staub - Resume

http://www.richardstaub.com/resume.html

Artist’s Résumé. 2010 — “Animate Matter” a four-person show — Thomas Erben Gallery; New York, NY. 2009 — “Baptized Catholic” group show; Artbreak Gallery; Williamsburg, NY. 2004 — “Personal Space” group show; Gigantic Art Space; New York, NY. 1993 — “The Return of the Cadavre Exquis” The Drawing Center, New York, NY; The Corcoran Gallery of Art, Washington DC; Santa Monica Museum of Art; Forum for Contemporary Art, St.Louis, MI; American Center, Paris. Amoco Corporation, Boulder, CO.

5

Richard Staub - Statement

http://www.richardstaub.com/statement.html

Whatever the medium, making art is a considered, additive, yet often impulsive activity. And creating a piece can extend from a few days to several years. My exploration includes the play between form and formlessness; the use of less conventional materials such as hair, jewelry, tinfoil and plastic bags; and a fascination with the body and its functions. I prefer to use off-hand, often found materials and the work? S presence is belied by the physical lightness of its parts.

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Creating the Dreamscape: An interview with Ayad Sinawi | Art Blah Blog

http://www.artblahblog.com/2014/02/20/creating-the-dreamscape-an-interview-with-ayad-sinawi

Interviews and commentary about art and the art world by Andrew Baron. Creating the Dreamscape: An interview with Ayad Sinawi. The Universe Of Mind, Doubled By Pity Before A Mirror. 2011-12; 66 x 72 inches; oil on canvas. Firstly, thank you Andrew for giving me this opportunity to discuss my work. Working thematically and in series have always been a process I felt most comfortable within. I have iconoclastic tendencies and have resisted establishing a recognizable style from early on in my work. I allud...

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Apexart unsolicited proposal winners announced – loser appalled by soulless proposal writing! | Art Blah Blog

http://www.artblahblog.com/2013/12/19/apexart-unsolicited-proposal-winners-announced-loser-appalled-by-soulless-proposal-writing

Interviews and commentary about art and the art world by Andrew Baron. Apexart unsolicited proposal winners announced – loser appalled by soulless proposal writing! Apexart, a non-profit gallery in lower Manhattan, annually accepts submissions for curatorial proposals for the following year. The submissions for 2014 were judged by 130 international judges and the top three proposals as determined by vote were then awarded a show. 525 proposals were submitted. Does this language really excite people?

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The Revolution Will Not Be Displayed at Cheim and Read | Art Blah Blog

http://www.artblahblog.com/2014/03/11/the-revolution-will-not-be-displayed-at-cheim-and-read/comment-page-1

Interviews and commentary about art and the art world by Andrew Baron. The Revolution Will Not Be Displayed at Cheim and Read. The essay written by Holland Cotter dated January 17, 2014 in the New York Times (see article. I can’t help but suspect that these artists feel insecure about the value of their work. How else to explain the comments in the blogosphere where there is talk about the. Of making a painting as being a radical gesture and/or “a political act? In and of itself. I believe that painting.

artblahblog.com artblahblog.com

Shameless Self-Promotion: All That Glitters at Gateway Projects – Opening this Thursday, January 16th from 6-9 PM | Art Blah Blog

http://www.artblahblog.com/2014/01/14/shameless-self-promotion-all-that-glitters-at-gateway-projects-opening-this-thursday-january-16th-from-6-9-pm

Interviews and commentary about art and the art world by Andrew Baron. Shameless Self-Promotion: All That Glitters at Gateway Projects – Opening this Thursday, January 16th from 6-9 PM. Reaping the Whirlwind, oil on canvas, 56 x 84 inches;. Link: https:/ www.facebook.com/TheGatewayProjectNewark#! I hope to see you this Thursday January 16th from 6-9PM for the opening of. At Gateway Projects in the city of tomorrow, Newark NJ. I will be exhibiting the above painting,. KATHERINE BERNHARDT – http:/. JESSIVA...

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Jeff Feld | Art Blah Blog

http://www.artblahblog.com/tag/jeff-feld

Interviews and commentary about art and the art world by Andrew Baron. Tag Archives: Jeff Feld. Grow Rich While You Sleep: An interview with Jeff Feld. Jeff Feld; The intention is pure and so on; 2012; Cardboard, latex. I confess that I found it difficult to wrap up the raft of associations in a tidy package – which I believe to be the point. Jeff Feld; A failure of the day to day (Front view); 2014; Inner tube, concrete. Jeff Feld; Stop and frisk; 2013; Altered wooden barrier. My take is that the materi...

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Why I’m writing this… | Art Blah Blog

http://www.artblahblog.com/2013/12/14/why-im-writing-this

Interviews and commentary about art and the art world by Andrew Baron. Why I’m writing this…. When I first thought of writing this blog, I looked around at other artists’ blogs and found the results a bit wanting. The tone that I encountered was and remains typically uncritical, where a kind of vague cheerleading acts as a substitute for saying something meaningful. I am hoping that. This entry was posted in Posts. And tagged Andrew Baron. December 14, 2013. December 18, 2013 at 5:50 pm. Creating the Dre...

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Michael Amter | Art Blah Blog

http://www.artblahblog.com/tag/www-michaelamter-com

Interviews and commentary about art and the art world by Andrew Baron. Tag Archives: Michael Amter. Michael Amter (Artist); Defined, limited print – 20 x 14 inches; 2011. Fall From Grace (Sample). The first link, Fall from Grace (sample). Is a very short clip from his piece. The second link, 東京. Is a short video that uses music of Maki Kinoshita. It’s a more stripped down work than the aforementioned “Fall from Grace”. Its spare, melancholic beauty acts as a cathartic meditation...I’ve used words l...

artblahblog.com artblahblog.com

Richard Staub | Art Blah Blog

http://www.artblahblog.com/tag/www-richardstaub-com

Interviews and commentary about art and the art world by Andrew Baron. Tag Archives: Richard Staub. Interview with Richard Staub, agent of disturbance. Towel; 2012; paper, tape; 72 x 25 inches. You do many kinds of work – paintings, sewing, collage, sculpture. When you go to the studio, do you have an idea as to what you’ll be working on that day? Do you ever feel conflicted about what you “should” be working on? Grey Top; 2009, oil on canvas, 36 x 24 inches. If so, how? So I decided to work with the mat...

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Christmas | Art Blah Blog

http://www.artblahblog.com/tag/christmas

Interviews and commentary about art and the art world by Andrew Baron. Merry Christmas Everyone from Art Blah Blog! Below is an installation shot of Greg Leshé’s piece,. From 2011. Pretty ferocious. All they need is a little bit of love. This entry was posted in Posts. December 25, 2013. The Revolution Will Not Be Displayed at Cheim and Read. Creating the Dreamscape: An interview with Ayad Sinawi. Grow Rich While You Sleep: An interview with Jeff Feld. Interview with Richard Staub, agent of disturbance.

artblahblog.com artblahblog.com

Posts | Art Blah Blog

http://www.artblahblog.com/category/posts

Interviews and commentary about art and the art world by Andrew Baron. The Revolution Will Not Be Displayed at Cheim and Read. The essay written by Holland Cotter dated January 17, 2014 in the New York Times (see article. I can’t help but suspect that these artists feel insecure about the value of their work. How else to explain the comments in the blogosphere where there is talk about the. Of making a painting as being a radical gesture and/or “a political act? In and of itself. I believe that painting.

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Artist’s Résumé.

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