rootsrhizomes.blogspot.com

Roots and Rhizomes

A two-fold examination of contemporary percussion playing — looking at the past and moving forward". Tuesday, March 23, 2010. Rehearsed Peculiarity: Mauricio Kagel's Dressur. The dedicatees of the piece), and McGill. Have caused the piece to gain considerable notoriety since my first encounter with it in 2001 as part of a Percussion Group Cincinatti. Why has the piece become the potent, viral entity that it is? Perhaps Kagel's most basic motivations as a composer will lend some clues:. Kagel asserts that...

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Roots and Rhizomes | rootsrhizomes.blogspot.com Reviews

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A two-fold examination of contemporary percussion playing — looking at the past and moving forward. Tuesday, March 23, 2010. Rehearsed Peculiarity: Mauricio Kagel's Dressur. The dedicatees of the piece), and McGill. Have caused the piece to gain considerable notoriety since my first encounter with it in 2001 as part of a Percussion Group Cincinatti. Why has the piece become the potent, viral entity that it is? Perhaps Kagel's most basic motivations as a composer will lend some clues:. Kagel asserts that...

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Roots and Rhizomes | rootsrhizomes.blogspot.com Reviews

https://rootsrhizomes.blogspot.com

A two-fold examination of contemporary percussion playing — looking at the past and moving forward". Tuesday, March 23, 2010. Rehearsed Peculiarity: Mauricio Kagel's Dressur. The dedicatees of the piece), and McGill. Have caused the piece to gain considerable notoriety since my first encounter with it in 2001 as part of a Percussion Group Cincinatti. Why has the piece become the potent, viral entity that it is? Perhaps Kagel's most basic motivations as a composer will lend some clues:. Kagel asserts that...

INTERNAL PAGES

rootsrhizomes.blogspot.com

1

Roots and Rhizomes: Rehearsed Peculiarity: Mauricio Kagel's Dressur

http://rootsrhizomes.blogspot.com/2010/03/rehearsed-peculiarity-mauricio-kagels.html

A two-fold examination of contemporary percussion playing — looking at the past and moving forward". Tuesday, March 23, 2010. Rehearsed Peculiarity: Mauricio Kagel's Dressur. The dedicatees of the piece), and McGill. Have caused the piece to gain considerable notoriety since my first encounter with it in 2001 as part of a Percussion Group Cincinatti. Why has the piece become the potent, viral entity that it is? Perhaps Kagel's most basic motivations as a composer will lend some clues:. Kagel asserts that...

2

Roots and Rhizomes: March 2010

http://rootsrhizomes.blogspot.com/2010_03_01_archive.html

A two-fold examination of contemporary percussion playing — looking at the past and moving forward". Tuesday, March 23, 2010. Rehearsed Peculiarity: Mauricio Kagel's Dressur. The dedicatees of the piece), and McGill. Have caused the piece to gain considerable notoriety since my first encounter with it in 2001 as part of a Percussion Group Cincinatti. Why has the piece become the potent, viral entity that it is? Perhaps Kagel's most basic motivations as a composer will lend some clues:. Kagel asserts that...

3

Roots and Rhizomes: July 2009

http://rootsrhizomes.blogspot.com/2009_07_01_archive.html

A two-fold examination of contemporary percussion playing — looking at the past and moving forward". Friday, July 3, 2009. Four Comments from Boulez. Here are four thoughts from Pierre Boulez about percussion that he made in 1978 in the forward to James Holland's book about writing for percussion. 1: In the last 30 years the role of percussion in the orchestra, like that of chamber music, has completely changed: once. Subscribe to: Posts (Atom). Four Comments from Boulez. View my complete profile.

4

Roots and Rhizomes: The Riley Project

http://rootsrhizomes.blogspot.com/2010/02/riley-project.html

A two-fold examination of contemporary percussion playing — looking at the past and moving forward". Monday, February 1, 2010. About a year ago, Steve Schick proposed a radical project to me. He proposed that we collaborate on an audio-visual document of a piece of music. The piece in itself, Terry Riley's In C. Note: Only a member of this blog may post a comment. Subscribe to: Post Comments (Atom). Interview with Brian Archinal: Houston, TX to Gene. View my complete profile.

5

Roots and Rhizomes: Interview with Brian Archinal: Houston, TX to Geneva, CH

http://rootsrhizomes.blogspot.com/2010/02/interview-with-brian-archinal-houston.html

A two-fold examination of contemporary percussion playing — looking at the past and moving forward". Monday, February 1, 2010. Interview with Brian Archinal: Houston, TX to Geneva, CH. Can you describe the series of salient moments in your life that lead you from Houston, TX to Geneva, CH. First I have to answer the question “Why go to Geneva? Eventually, after initial struggles, I spent two years with a drum corps. In previous years Steven Schick. Appeared at PASIC and in the PAS. Ross: Which of the abo...

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rootsrhizomes.blogspot.com

Roots and Rhizomes

A two-fold examination of contemporary percussion playing — looking at the past and moving forward". Tuesday, March 23, 2010. Rehearsed Peculiarity: Mauricio Kagel's Dressur. The dedicatees of the piece), and McGill. Have caused the piece to gain considerable notoriety since my first encounter with it in 2001 as part of a Percussion Group Cincinatti. Why has the piece become the potent, viral entity that it is? Perhaps Kagel's most basic motivations as a composer will lend some clues:. Kagel asserts that...

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