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| Towards A New Art Music —>

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| Towards A New Art Music —> | thebitingpoint.wordpress.com Reviews

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essays/articles |

https://thebitingpoint.wordpress.com/essaysarticles

Staking a Claim: Music Theatre as Provocation. Surveying New Music Theatre in the UK. What is Music Theatre? What is Music Theatre. A Theory of Musical Performance). Can Music (Still) Be Critical? On Music Resistance – a lecture for UNM 2014. Aphorisms for the Future of Opera:. Two Aphorisms for the Future of Opera. Two More Aphorisms for the Future of Opera. Towards A Future Opera:. 1) / The Ideology of Opera Creation /. 2) / opera vs the commodity form /. On opera and ‘elitism’:. I Opera and Elitism.

2

Live Review: Between Worlds @ The Barbican |

https://thebitingpoint.wordpress.com/2015/04/22/live-review-between-worlds-the-barbican

WE BREAK STRINGS now available at Rough Trade East. Live Review: Lady Vendredi’s Urban Rites: Battle Cry! The Apiary →. Is not a small event; it is a major ENO/Barbican co-commission, a nationwide media event, a huge undertaking that deals with one of the most epochal events of our time, and it’s been pretty well received. I saw it on Sunday afternoon, and I have. Problems with it. So I’ve written a very bad review. Here goes…. Were in that position, having to phone home and say goodbye. Is about the com...

3

Can Music (Still) Be Critical? |

https://thebitingpoint.wordpress.com/2015/02/03/can-music-still-be-critical

Boiler Room and ‘Post-Classical’. WE BREAK STRINGS now available at Rough Trade East →. Can Music (Still) Be Critical? This was the dissertation I wrote for my Art and Politics MA at Goldsmiths. It was an attempt to think through the idea of critique in relation to music, as well as an excuse to listen to loads of ‘political’ music from the late 20th century. You can download it as a PDF here: DOWNLOAD. Can Music (Still) Be Critical? In fact, any kind of attempt at an ‘original’ artistic gesture could be...

4

eidelyn |

https://thebitingpoint.wordpress.com/author/eidelyn

What is Music Theatre. A Theory of Musical Performance). In the previous post, I discussed a few attempts to define ‘music theatre’ (particularly in relation/opposition to ‘opera’), and the value of such a venture. I focused on Eric Salzman and Thomas Desi’s book The New Music Theater: Seeing the … Continue reading →. What is Music Theatre? What is music theatre? The New Music Theater. Surveying New Music Theatre in the UK. Staking a Claim: Music Theatre as Provocation. Over the last few months, I’...

5

WE BREAK STRINGS now available at Rough Trade East |

https://thebitingpoint.wordpress.com/2015/03/16/we-break-strings-now-available-at-rough-trade-east

Can Music (Still) Be Critical? The Barbican →. WE BREAK STRINGS now available at Rough Trade East. Go get it ( http:/ www.roughtrade.com/albums/92307. This entry was posted in book. And tagged Rough Trade. Can Music (Still) Be Critical? The Barbican →. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. Notify me of new comments via email.

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thenightmail.blogspot.com thenightmail.blogspot.com

The Night Mail: 12.13

http://thenightmail.blogspot.com/2013_12_01_archive.html

Pop, Power and the Vocal Subject. Pop, Power and the Vocal-Subject: NEW POSTS COMING SOON. I’ve been putting all my blogging on hold this Autumn, in order to complete what has become a rather monumental project of music writing which I’m provisionally titling Pop, Power and the Vocal-Subject. I hope to format the essays into a PDF e-book thing which can be downloaded, as well as to make Soundcloud podcasts of chapters with musical examples, in the style of Rouge’s Foam. WATCH THIS SPACE….

thenightmail.blogspot.com thenightmail.blogspot.com

The Night Mail: 03.13

http://thenightmail.blogspot.com/2013_03_01_archive.html

Pop, Power and the Vocal Subject. Check out this Guardian interview with The Knife. Read the full interview HERE. 160;(ignoring the snarky, reactionary commentary from the interviewer), and get excited. 160;for  Shaking the Habitual. 160;on April 8th. More importantly though, this fabulous essay from n 1. Magazine (Jan 2012), by Richard Beck. Wryly styled as a review of Pitchfork (he gives them 5.4 out of 10). . Subscribe to: Posts (Atom). The night mail archive. View my complete profile.

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Newer posts →. ACM Joe Snape: FLECK. May 21, 2015. Comments Off on ACM Joe Snape: FLECK. I just finished five UK shows that were packed and inspiring: a remarkable privilege to play. After the London premiere, The Biting Point. Fleck Flob Flop,. The hour-long piece about an Old Lady and her husband I wrote for ACM, as ‘a total game-changer’ (to the game’s overall improvement, I hope! And Fluid Radio published this warm, thoughtful and thought-provoking piece. Sheffield gig, and put August 4. Label for pu...

thenightmail.blogspot.com thenightmail.blogspot.com

The Night Mail: 04.15

http://thenightmail.blogspot.com/2015_04_01_archive.html

Pop, Power and the Vocal Subject. Chapter 2.3: What is Music? This post is part of my series on Pop, Power and the Vocal-Subject. Chapter 2.2: Power and Agency in Donna Summer's 'I Feel Love'. This post is part of my series on Pop, Power and the Vocal-Subject. Like the tracks discussed in Chapter 1.3. Subscribe to: Posts (Atom). The night mail archive. Chapter 2.3: What is Music? Chapter 2.2: Power and Agency in Donna Summers I. View my complete profile. The very very very.

joesna.pe joesna.pe

ACM + Joe Snape: FLECK |

https://joesna.pe/2015/05/21/acm-joe-snape-fleck

UK and European Tour with ACM. ACM Joe Snape: FLECK [EU Tour] →. ACM Joe Snape: FLECK. May 21, 2015. Comments Off on ACM Joe Snape: FLECK. I just finished five UK shows that were packed and inspiring: a remarkable privilege to play. After the London premiere, The Biting Point. Fleck Flob Flop,. The hour-long piece about an Old Lady and her husband I wrote for ACM, as ‘a total game-changer’ (to the game’s overall improvement, I hope! About our Vivid Projects show in Birmingham. Filmmaker Ismar Badzic.

thenightmail.blogspot.com thenightmail.blogspot.com

The Night Mail: Chapter 2.1: Taking the Initiative: An Introduction to Musical Power Analysis

http://thenightmail.blogspot.com/2014/04/chapter-21-taking-initiative.html

Pop, Power and the Vocal Subject. Chapter 2.1: Taking the Initiative: An Introduction to Musical Power Analysis. This post is part of my series on Pop, Power and the Vocal-Subject. The key terrain of power struggle in the pop song is the moment of transformation between verse and chorus. There are no stakes higher than this moment. To control this transformation is to control the direction and meaning of the song, and to subjugate it to particular goals or interests. On a micro level, there are also prog...

thenightmail.blogspot.com thenightmail.blogspot.com

The Night Mail: 11.11

http://thenightmail.blogspot.com/2011_11_01_archive.html

Pop, Power and the Vocal Subject. Adventures in the Top 40: Wayward Choruses. Here’s a geeky. 160;medium-length post about chart pop to offset all that earnest politicising in the last post, and - spoiler alert - all the earnest politicising to come in the next post. I just wanted to describe a lovely musical trend that links three of my favourite tracks clinging doggedly to the UK singles chart. Let us listen first to Nicki Minaj. I’ve spent a little time at the Occupy London. Subscribe to: Posts (Atom).

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| Towards A New Art Music —>

Towards A New Art Music —. Is not a small event; it is a major ENO/Barbican co-commission, a nationwide media event, a huge undertaking that deals with one of the most epochal events of our time, and it’s been pretty well received. I saw it on Sunday afternoon, and I have. Problems with it. So I’ve written a very bad review. Here goes…. WE BREAK STRINGS now available at Rough Trade East. Go get it ( http:/ www.roughtrade.com/albums/92307. Can Music (Still) Be Critical? Can Music (Still) Be Critical?

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