thebitingpoint.wordpress.com
Live Review: Between Worlds @ The Barbican |
https://thebitingpoint.wordpress.com/2015/04/22/live-review-between-worlds-the-barbican
WE BREAK STRINGS now available at Rough Trade East. Live Review: Lady Vendredi’s Urban Rites: Battle Cry! The Apiary →. Is not a small event; it is a major ENO/Barbican co-commission, a nationwide media event, a huge undertaking that deals with one of the most epochal events of our time, and it’s been pretty well received. I saw it on Sunday afternoon, and I have. Problems with it. So I’ve written a very bad review. Here goes…. Were in that position, having to phone home and say goodbye. Is about the com...
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eidelyn |
https://thebitingpoint.wordpress.com/author/eidelyn
What is Music Theatre. A Theory of Musical Performance). In the previous post, I discussed a few attempts to define ‘music theatre’ (particularly in relation/opposition to ‘opera’), and the value of such a venture. I focused on Eric Salzman and Thomas Desi’s book The New Music Theater: Seeing the … Continue reading →. What is Music Theatre? What is music theatre? The New Music Theater. Surveying New Music Theatre in the UK. Staking a Claim: Music Theatre as Provocation. Over the last few months, I’...
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WE BREAK STRINGS now available at Rough Trade East |
https://thebitingpoint.wordpress.com/2015/03/16/we-break-strings-now-available-at-rough-trade-east
Can Music (Still) Be Critical? The Barbican →. WE BREAK STRINGS now available at Rough Trade East. Go get it ( http:/ www.roughtrade.com/albums/92307. This entry was posted in book. And tagged Rough Trade. Can Music (Still) Be Critical? The Barbican →. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. Notify me of new comments via email.
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| Page 2
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Newer posts →. Can Music (Still) Be Critical? This was the dissertation I wrote for my Art and Politics MA at Goldsmiths. It was an attempt to think through the idea of critique in relation to music, as well as an excuse to listen to loads of ‘political’ music from the late 20th century. You can download it as a PDF here: DOWNLOAD. Can Music (Still) Be Critical? Dancer in the Dark. Nicolaus A. Huber. Boiler Room and ‘Post-Classical’. I realise that the biting point. 8217; think-pieces have emerged over t...
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the manifesto |
https://thebitingpoint.wordpress.com/manifesto
Note from the future (10/09/2015). Below is the ‘manifesto’ i wrote four and a half years ago, which was the foundational text for this blog. although it was a genuine expression of my thoughts at the time, i now (inevitably) disagree with a great deal of it. moreover, many of the things i suggest in the manifesto have since become pretty standard, in some musical milieux at least. Which addresses the manifesto), and perhaps also this post. Towards a New Classical Music Culture. Living composers (besides...
thebitingpoint.wordpress.com
Can Music (Still) Be Critical? |
https://thebitingpoint.wordpress.com/2015/02/03/can-music-still-be-critical
Boiler Room and ‘Post-Classical’. WE BREAK STRINGS now available at Rough Trade East →. Can Music (Still) Be Critical? This was the dissertation I wrote for my Art and Politics MA at Goldsmiths. It was an attempt to think through the idea of critique in relation to music, as well as an excuse to listen to loads of ‘political’ music from the late 20th century. You can download it as a PDF here: DOWNLOAD. Can Music (Still) Be Critical? In fact, any kind of attempt at an ‘original’ artistic gesture could be...
thebitingpoint.wordpress.com
essays/articles |
https://thebitingpoint.wordpress.com/essaysarticles
Staking a Claim: Music Theatre as Provocation. Surveying New Music Theatre in the UK. What is Music Theatre? What is Music Theatre. A Theory of Musical Performance). Can Music (Still) Be Critical? On Music Resistance – a lecture for UNM 2014. Aphorisms for the Future of Opera:. Two Aphorisms for the Future of Opera. Two More Aphorisms for the Future of Opera. Towards A Future Opera:. 1) / The Ideology of Opera Creation /. 2) / opera vs the commodity form /. On opera and ‘elitism’:. I Opera and Elitism.
theveryveryvery.wordpress.com
About | the very very very
https://theveryveryvery.wordpress.com/about
The very very very. 8211; source of rather. The very very very, or simply ‘the very’, showcases the choicest secretions, by extracting for the receiver, tooly. Mary Katherine’s Tumblr. Mary Katherine’s Other Tumblr. Bella La. La. 8230;…………………………………………………. The Association for Depth Sound Recordings. ADSR001] – Uther Moads. ADSR002] – Hydro-Acoustics. ADSR003] – Antidröm. ADSR004] – Hoshal Patrick. Enter your comment here. Fill in your details below or click an icon to log in:. Blog at WordPress.com.