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The Night Mail

Pop, Power and the Vocal Subject. Chapter 2.3: What is Music? This post is part of my series on Pop, Power and the Vocal-Subject. Chapter 2.2: Power and Agency in Donna Summer's 'I Feel Love'. This post is part of my series on Pop, Power and the Vocal-Subject. Like the tracks discussed in Chapter 1.3. Chapter 2.1: Taking the Initiative: An Introduction to Musical Power Analysis. This post is part of my series on Pop, Power and the Vocal-Subject. There are no stakes higher than this moment. This post is p...

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The Night Mail | thenightmail.blogspot.com Reviews
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Pop, Power and the Vocal Subject. Chapter 2.3: What is Music? This post is part of my series on Pop, Power and the Vocal-Subject. Chapter 2.2: Power and Agency in Donna Summer's 'I Feel Love'. This post is part of my series on Pop, Power and the Vocal-Subject. Like the tracks discussed in Chapter 1.3. Chapter 2.1: Taking the Initiative: An Introduction to Musical Power Analysis. This post is part of my series on Pop, Power and the Vocal-Subject. There are no stakes higher than this moment. This post is p...
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1 pages
2 three deterritorialisations
3 the previous chapter
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6 no comments
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8 blogthis
9 share to twitter
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The Night Mail | thenightmail.blogspot.com Reviews

https://thenightmail.blogspot.com

Pop, Power and the Vocal Subject. Chapter 2.3: What is Music? This post is part of my series on Pop, Power and the Vocal-Subject. Chapter 2.2: Power and Agency in Donna Summer's 'I Feel Love'. This post is part of my series on Pop, Power and the Vocal-Subject. Like the tracks discussed in Chapter 1.3. Chapter 2.1: Taking the Initiative: An Introduction to Musical Power Analysis. This post is part of my series on Pop, Power and the Vocal-Subject. There are no stakes higher than this moment. This post is p...

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The Night Mail: Chapter 2.1: Taking the Initiative: An Introduction to Musical Power Analysis

http://www.thenightmail.blogspot.com/2014/04/chapter-21-taking-initiative.html

Pop, Power and the Vocal Subject. Chapter 2.1: Taking the Initiative: An Introduction to Musical Power Analysis. This post is part of my series on Pop, Power and the Vocal-Subject. The key terrain of power struggle in the pop song is the moment of transformation between verse and chorus. There are no stakes higher than this moment. To control this transformation is to control the direction and meaning of the song, and to subjugate it to particular goals or interests. On a micro level, there are also prog...

2

The Night Mail: 04.15

http://www.thenightmail.blogspot.com/2015_04_01_archive.html

Pop, Power and the Vocal Subject. Chapter 2.3: What is Music? This post is part of my series on Pop, Power and the Vocal-Subject. Chapter 2.2: Power and Agency in Donna Summer's 'I Feel Love'. This post is part of my series on Pop, Power and the Vocal-Subject. Like the tracks discussed in Chapter 1.3. Subscribe to: Posts (Atom). The night mail archive. Chapter 2.3: What is Music? Chapter 2.2: Power and Agency in Donna Summers I. View my complete profile. The very very very.

3

The Night Mail: 10.11

http://www.thenightmail.blogspot.com/2011_10_01_archive.html

Pop, Power and the Vocal Subject. Dramatising Exclusion: Kurt Vile and James Blake. I was lucky enough to go to End of the Road festival last month, and lucky enough to see Kurt Vile and the Violators. From the front of the crowd. And they were awesome. In fact I actually found it quite overwhelming, emotionally (and yes, it’s the 21st century, I’m going to make reference to emotions, deal with it). End of the road. Labels: lana del rey. Subscribe to: Posts (Atom). The night mail archive.

4

The Night Mail: 02.12

http://www.thenightmail.blogspot.com/2012_02_01_archive.html

Pop, Power and the Vocal Subject. Performing Autonomy: Revisiting John Maus and tUnE-yArDs post-Occupy. Towards the end of last year, I wrote a fairly long post. And politics, especially with regard to the Occupy. I spent a lot of time discussing the contrasting elements in the two artists recorded music, and how these suggest contrasting political praxes. Subscribe to: Posts (Atom). The night mail archive. Performing Autonomy: Revisiting John Maus and tUnE. View my complete profile. All music posted her...

5

The Night Mail: Chapter 1.2: Adorno, Autonomy, and the Blues

http://www.thenightmail.blogspot.com/2014/02/chapter-12-adorno-autonomy-and-blues.html

Pop, Power and the Vocal Subject. Chapter 1.2: Adorno, Autonomy, and the Blues. This post is part of my series on Pop, Power and the Vocal-Subject. Over the course of this essay series, I’m attempting to develop a political theory of pop music (as well as a theory of ‘political music’, or ‘the political’ in pop music). In the previous chapter. And Robert Johnson's Delta blues. And the ‘truth-content’ of a musical work can only be judged in relation to its immediate socio-historical context: i...It was th...

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Live Review: Between Worlds @ The Barbican |

https://thebitingpoint.wordpress.com/2015/04/22/live-review-between-worlds-the-barbican

WE BREAK STRINGS now available at Rough Trade East. Live Review: Lady Vendredi’s Urban Rites: Battle Cry! The Apiary →. Is not a small event; it is a major ENO/Barbican co-commission, a nationwide media event, a huge undertaking that deals with one of the most epochal events of our time, and it’s been pretty well received. I saw it on Sunday afternoon, and I have. Problems with it. So I’ve written a very bad review. Here goes…. Were in that position, having to phone home and say goodbye. Is about the com...

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eidelyn |

https://thebitingpoint.wordpress.com/author/eidelyn

What is Music Theatre. A Theory of Musical Performance). In the previous post, I discussed a few attempts to define ‘music theatre’ (particularly in relation/opposition to ‘opera’), and the value of such a venture. I focused on Eric Salzman and Thomas Desi’s book The New Music Theater: Seeing the … Continue reading →. What is Music Theatre? What is music theatre? The New Music Theater. Surveying New Music Theatre in the UK. Staking a Claim: Music Theatre as Provocation. Over the last few months, I’...

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WE BREAK STRINGS now available at Rough Trade East |

https://thebitingpoint.wordpress.com/2015/03/16/we-break-strings-now-available-at-rough-trade-east

Can Music (Still) Be Critical? The Barbican →. WE BREAK STRINGS now available at Rough Trade East. Go get it ( http:/ www.roughtrade.com/albums/92307. This entry was posted in book. And tagged Rough Trade. Can Music (Still) Be Critical? The Barbican →. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. Notify me of new comments via email.

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Newer posts →. Can Music (Still) Be Critical? This was the dissertation I wrote for my Art and Politics MA at Goldsmiths. It was an attempt to think through the idea of critique in relation to music, as well as an excuse to listen to loads of ‘political’ music from the late 20th century. You can download it as a PDF here: DOWNLOAD. Can Music (Still) Be Critical? Dancer in the Dark. Nicolaus A. Huber. Boiler Room and ‘Post-Classical’. I realise that the biting point. 8217; think-pieces have emerged over t...

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the manifesto |

https://thebitingpoint.wordpress.com/manifesto

Note from the future (10/09/2015). Below is the ‘manifesto’ i wrote four and a half years ago, which was the foundational text for this blog. although it was a genuine expression of my thoughts at the time, i now (inevitably) disagree with a great deal of it. moreover, many of the things i suggest in the manifesto have since become pretty standard, in some musical milieux at least. Which addresses the manifesto), and perhaps also this post. Towards a New Classical Music Culture. Living composers (besides...

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Can Music (Still) Be Critical? |

https://thebitingpoint.wordpress.com/2015/02/03/can-music-still-be-critical

Boiler Room and ‘Post-Classical’. WE BREAK STRINGS now available at Rough Trade East →. Can Music (Still) Be Critical? This was the dissertation I wrote for my Art and Politics MA at Goldsmiths. It was an attempt to think through the idea of critique in relation to music, as well as an excuse to listen to loads of ‘political’ music from the late 20th century. You can download it as a PDF here: DOWNLOAD. Can Music (Still) Be Critical? In fact, any kind of attempt at an ‘original’ artistic gesture could be...

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essays/articles |

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Staking a Claim: Music Theatre as Provocation. Surveying New Music Theatre in the UK. What is Music Theatre? What is Music Theatre. A Theory of Musical Performance). Can Music (Still) Be Critical? On Music Resistance – a lecture for UNM 2014. Aphorisms for the Future of Opera:. Two Aphorisms for the Future of Opera. Two More Aphorisms for the Future of Opera. Towards A Future Opera:. 1) / The Ideology of Opera Creation /. 2) / opera vs the commodity form /. On opera and ‘elitism’:. I Opera and Elitism.

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About | the very very very

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The very very very. 8211; source of rather. The very very very, or simply ‘the very’, showcases the choicest secretions, by extracting for the receiver, tooly. Mary Katherine’s Tumblr. Mary Katherine’s Other Tumblr. Bella La. La. 8230;…………………………………………………. The Association for Depth Sound Recordings. ADSR001] – Uther Moads. ADSR002] – Hydro-Acoustics. ADSR003] – Antidröm. ADSR004] – Hoshal Patrick. Enter your comment here. Fill in your details below or click an icon to log in:. Blog at WordPress.com.

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The Night Machine and Other Poems | The strange, the goofy, and the mysterious in verse form.

The Night Machine and Other Poems. The strange, the goofy, and the mysterious in verse form. Peanut Butter and Traffic Jam. Song of the Wolf. The Garden of Missing and Found. The Secret Movie Club. The Town of Underbed. The Trench Coat Tree. All Hands on Deck! January 22, 2012. October 31, 2010. All Hands on Deck! The Night Machine and Other Poems. The Twenty Ten Theme. Blog at WordPress.com. The Night Machine and Other Poems. Create a free website or blog at WordPress.com. The Twenty Ten Theme.

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The Night Mail

Pop, Power and the Vocal Subject. Chapter 2.3: What is Music? This post is part of my series on Pop, Power and the Vocal-Subject. Chapter 2.2: Power and Agency in Donna Summer's 'I Feel Love'. This post is part of my series on Pop, Power and the Vocal-Subject. Like the tracks discussed in Chapter 1.3. Chapter 2.1: Taking the Initiative: An Introduction to Musical Power Analysis. This post is part of my series on Pop, Power and the Vocal-Subject. There are no stakes higher than this moment. This post is p...

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